Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
mari martin
performance, collaboration, artistic processes, environment, senses, interaction, encountering, urban space, artistic research, ecology, artistic dialogue, anti-racism, transcorporeality, performing arts, virtuality, materiality, body, participatory installation, post doc research, public urban space, city, human, non-human, teacher of thatre art, multidisciplinarity, cross-disciplinarity, cooperation
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Andrew Champlin
dance, visual art, participatory spectatorship, technique, music aesthetics
Emmi Kujanpää
Folk singing, art-based research, transnationalism, Gender and Music, politics, Balkans, Folklore Studies, ethnomusicology, Finno-Karelian folk singing, Bulgarian folk singing, intersectional feminism, artivism, feminist art, composing, pedagogical research
Tim Sayer
Music Performance, improvisation, music cognition, live electronics, Music Psychology
Eszter Mag
Participatory Art, puppetry, theatre, intuition
Estefanía Díaz Ramos
Soundart, Audiovisual, Cultural Studies, Sociology, creative writing, communication, community based art work
Lisa Dillan
improvisation, improvisation exercises., improvisational scores, improvisational theatre, improvisation and real-time composition, improvisation psychology, listening, listening practices, Meditation, concentration, Flow, communication