Christian Doeller
error, interactive installation, agency, Noise, Human-machine-Interaction, digitalization, digitality, physical computing, sciart, transdiciplinarity, translation, transcriptions, Sculpture, DIGITAL IMAGING, prototyping, generative art
Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Rachel Kaminski Sanders
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
András Blazsek
Environment, Soundart, Soundscapes, media archeology, Sound Archeology, sound architecture, Data Sonification, Scupture
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
teresa luzio
performance; walking; visuality; performance documentation
Guy Livingston
silence, absence, music aesthetics, urbanism, Luwteplekken
Sarah Bennett
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts