Researchers

Barbara Macek
poetics, biophilosophy, transdiciplinarity, interspecies relationships, poetry, medical history, medical humanities, autoimmunity, pain, existential philosophy, psychoanalysis, memory, nothingness, time
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Benedict Olk
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Srisrividhiya Kalyanasundaram
aesthetics and philosophy, Ecological Consciousness, Eco-ethics, Eco -philosophy and Eco-aesthetics, Arts Education, Visual Design, Illustration, Earth Education, Conservation, Communication, Art History, Creative Writing, Indian art and aesthetics, Indian philosophy, Ecological consciousness, Eco-philosophy, Eco-art and aesthetics
Mikael Charlie Bäckman
music, Music Education, musicology
Jahrmann Margarete
game studies, artwork, artistic epistemology, digital art, neuroscience, activism
D.A. Calf
sound, sonic materialism, Spatial Practice, archival practice, balkan history, french history, Language, serialisation, contested territories, Memory culture, memory politics, Sound Design, the quotidian, composition, memory, time studies, geology, archaeology
Theodore Parker
Improvisation, electroacoustic music, site specific artwork
Mari Flønes
dance, education, a/r/tography, performative research, New Materialism, community dance, Diffractive methodology, performative inquiry, bodily learning, expanded choreography
Madelief van de Beek
scenography, Dramaturgy, Performance art, death culture, flowers, botanical material, feminism, Video art
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
Catarina Casais
art education, artistic research, artistic processes