Michael Kahr
jazz, Music history, music theory, popular music, artistic research
Francisco Beltrame Trento
neurodiversity, queer theory, Film-making, post-qualitative inquiry, neuroqueerness, artistic research, anarchive, research-creation, kinship
Georgios Varoutsos
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Jasmin Schaitl
performance, visual art, participatory arts, memory, haptics, installation
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Stefan Paulus
Subjektwissenschaft, non-photography, glatte und gekerbte Räume
Michal Lovecky
digital worlds, metaverse, XR, virtual reality, transdiciplinarity, co-design, co-creation, ocean, immersive technologies, Immersion, marine science, collective action research, impact
Benjamin Fox-Rosen
ethnomusicology, Musical Cultures, jewish studies, Yiddish, Shoah, memorials, Minority language, folk music, nationalism
Tomáš Moravec
urban space, intervention, transformation, residuals, heterotopia, empty space, public space, mataphore, terrain vague
Vilja Achté
computer-generated imagery, narrativity, environmental humanities, digitality, new media art