Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Manuel Macía
coloniality of sense, curatorial, discursive practices, knowledge infrastructures, neoliberal episteme, ontological design, pharmacoloniality, political aesthetics, politics of artistic research
Jed Wentz
Historically imagined performance practice, acting, gesture, declamation
Katri Hirvonen-Nurmi
Cultural Institutions, cultural policy, Indigenous peoples, social anthropology, socially engaged art
Jakub Jan Ceglarz
Layers, art, queer theory, Foucault, performance; landscape; video; sound; installation, Golding, Palimpsest, continental philosophy
Jakub Pesek
music production, Accessibility, art of sound, haptic
Jung-Jae Kim
contemporary music, free improvisation, cross-genre, collaboration
Elina Akselrud
music, interpretation, interpretation analysis, collaboration, multidisciplinary, performance, performing arts, multidisciplinary art, Crossover, cross-disciplinary, cross-genre, musical expression, crossdisciplinary, crossdisciplinary art, scriabin, Chamber music, chamber ensemble
Mari Flønes
dance, education, a/r/tography, performative research, New Materialism, community dance, Diffractive methodology, performative inquiry, bodily learning, expanded choreography