Jacob Anderskov
artistic research, artistic processes, music, improvisation, composition, performance, philosophy, aesthetics, methodology, phenomenology, Hermeneutics, post-structuralism, Noise, post-tonality, ensemble, interplay, embodied cognition, participation, litterature, genre theory, metaphor, arts education, science studies, Cultural Studies, sound
Tijs Ham
sound art, instrument design, chaotic processes
Edmund Hunt
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Helga Schmid
Time, Chronobiology, Sociology, Psychology, performance, design=art=research
Olivia Rowland
Language, drawing, anxiety, hysteria, poetry, animation, feminist epistemology, experimental writing, autoethnography, Speaking, articulation, the gaze, feminism
Emma Margetson
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Eszter Mag
Participatory Art, puppetry, theatre, intuition
Yuya Takeda
media Literacy, philosophy of education, discourse studies, conspiracy theories
Riikka Maria Talvitie
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity
Tuomas Rounakari
Artistic research, Myths, mythologies, Altered states of consiousness, more-than-human, indigenous knowledge, Arctic art, community engagement, trance, transcendence, transdiciplinarity, mythical dialogue, bear feast ceremony, bear myths
Elena Cirkovic
more-than-human, more-than-human realms, space / place, earth processes, planetary boundaries, traditional art, sustainability, sustainable architecture, landscape, space, spaceflight, forest dynamics, animal ethics, darkness, day and night, daylight, Arctic art, arctic, Balkans, transdiciplinarity, Trauma; Memory;