Marcel Cobussen
sound studies, continental philosophy, improvisation, music aesthetics, New Materialism
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Avery Gosfield
Music, earlymusic, Early music, Early Music research, early music performance, early music pedagogy, Medieval music, renaissance music, Jewish music, recorder, Jewish studies, poetry, Early modern poetry, musicology, Music editing, artistic research, transcultural, traditional music, Italian poetry
Merja Ryöppy
Participatory theatre, Object theatre, improvisation, human-object relating, design process, participatory design
Arja Anneli Kastinen
19th century Karelian kantele improvisation, creativity process, Music Education, acoustics, spectrum analysis
Tilman Skowroneck
Performance practice, organology, long 18th century, Beethoven, artistic research
Mafalda Deville
contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences
Linn Henriksson Strååt
Devising, scenography, costume design, devising theatre, Deleuze, phenomenlogy, New Materialism, carnal aesthetics
Stefan Paulus
Subjektwissenschaft, non-photography, glatte und gekerbte Räume