Hanna Järvinen
dance;, dance history, performance, re-enactment, reconstruction, re-imaginations, epistemology, Authorship, Foucault, power structures, canonicity, stardom
Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Alexandra Toland
urban ecology, multispecies urbanism, soil studies, site-specificity, air, environmental humanities, compost, relationality
Tove Dahlberg
opera performance, gender, agency, performance norms
Marko Uzunovski
contemporary music, electroacoustic music, electronic music, spatialisation, sound production, sound projection, Spatial Audio, spatial music, surround
Jakub Jan Ceglarz
Layers, art, queer theory, Foucault, performance; landscape; video; sound; installation, Golding, Palimpsest, continental philosophy
Helen Roberts
historically informed performance, musicology, Music pedagogy, digital and personal technologies
Lenka Vesela
Feminist Technoscience, Queer Ecologies, Synthetic Bodies, Synthetic Knowledges, Cyborg Becoming, Artistic Research, Anthropocene Feminisms, Anti-Toxic Action, Posthuman Feminisms, Material Feminisms
Melina Scheuermann
archive, arts education, visual culture, artistic research methodology, history of education, unlearning
Lotte Dohmen
concepts of work and labour, regenerative knowledge systems, collective research in arts, Sustainable performance
Rut Karin Zettergren
collective research in arts, technofeminism, cyberfeminism, future, speculative fiction, military heritage of technology, repurposing technology, reimagining
Léon Angel
materials, social media, sustainability, sustainable materials, video installation; performance; landscape; environment;, fashion practice research, fashion and textile art, fashion design
Song Xiaran
Data Sonification, Data visualization, techno-spirituality, Media Arts, autoethnography, slow technology, Meditation