Emma WIlliams
historically informed performance, 19th century, violin, voice
Niels Lyhne Løkkegaard
plasma, sedimentation, saturation, softening, decolonial, more-than-human, instrumentalization, folded time, occultism, potentiality, hypering, surrection
Nathan Jones
new media, glitch, distributed critique, media theory, literature, poetics
Siv Lier
Design, Design research, critical design practice, adversarial design, discursive design, politics of design, Contemporary archeology, ecology
Pavlos Kountouriotis
live art, Performance art, Pain, altered states of consciousness, Choreography, law, queer theory, continental philosophy, systemic art, surrender, philosophy, body in performance, practice-as-research
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Lenka Vesela
Feminist Technoscience, Queer Ecologies, Synthetic Bodies, Synthetic Knowledges, Cyborg Becoming, Artistic Research, Anthropocene Feminisms, Anti-Toxic Action, Posthuman Feminisms, Material Feminisms
derek pigrum
visual art, Semiotics, philosophy, education, phenomenology, practice, process, Practice-as-research
Ewa Łączkowska
Sociology, dance, Onto-epistemology, indigenous knowledge, STS, knowledge making, perception, somatic approach, arts-based research