Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Tim Boykett
exploratory practices, futures, mathematics, participation, boating, open processes, facilitation, cargo, physical narration
Udo Maria Fon
perception, cognition, field of perception, rooms of perception, information rush, digitality, poetry, data entity, dada, dataism, social entropy, social resonance, metacognition
Dumond Camille
artistic research, art, artschools, switzerland research community
Kersti Grunditz Brennan
filmmaking, film editing, dancefilm, moving images, cinematic storytelling, Film studies, physical cinema, character development, collaborative practice
Dawn Woolley
consumer culture, feminism, self-portraiture, still life, marxism
James Wood
Literature, music, aesthetics, postcolonialism, Decolonizing methodologies, phenomenlogy
Behzad Khosravi Noori
Contemporary art, contemporary history, Film-making, micro-histories, autoethnography, politics of representation, colonial memory, Global South
Tim Sayer
Music Performance, improvisation, music cognition, live electronics, Music Psychology
Archie Reid
posthuman, queer, art process, art, synesthesia, perception, process, media, technology
Hiba Masad
Storytelling, Printmaking, reading, belonging, Artistic reserach, public space, public art, libraries, archives, identity, Homeland, home, Pain, collective memroy
Jorge Alvaro Manzano
cinema, cinematography, PHOTOGRAPHY, representation, Women's Image, artificial intelligence, racism, colonialism, post-colonial
Celeste Pedro
information visualisation, visual rethoric, medieval diagrams
Jan Kierepka
fashion design, nature, modernism, culture, artistic processes, Fashion History, hip-hop artists; poets, music aesthetics, philosophy as art