Researchers

Till Bovermann
sonification, listening, Live-electronics, live coding
Markus Kuikka
Music Performance, organology, artistic research
Marinos Koutsomichalis
Media Art, sound studies, generative art, landscape
Paul Vickers
Sonification, auditory display, aesthetic experience, aesthetics of sound, aesthetics of sonification
Paula Guzzanti
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
Avery Gosfield
Music, earlymusic, Early music, Early Music research, early music performance, early music pedagogy, Medieval music, renaissance music, Jewish music, recorder, Jewish studies, poetry, Early modern poetry, musicology, Music editing, artistic research, transcultural, traditional music, Italian poetry
Elisa De Toffol
vocality, performance, singing
Elsa Kosmack Vaara
time, artistic research, culinary arts, transdiciplinarity, prototyping, sustainability, participatory culture, participatory design
Cha Blasco
Technology Innovation, New media, New Protocols, Decentralized Systems, Performance Philosophy, Music, Performance, Philosophy, Antroposophy, Ecosophy
Emmi Kujanpää
Folk singing, art-based research, transnationalism, Gender and Music, politics, Balkans, Folklore Studies, ethnomusicology, Finno-Karelian folk singing, Bulgarian folk singing, intersectional feminism, artivism, feminist art, composing, pedagogical research
Jakub Pesek
music production, Accessibility, art of sound, haptic
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Polly Hember
modernism, twentieth century, visual culture, modernity, technology, cinema, modernist poetry, affect, pedagogy, queer theory, networks
Arne Vogelgesang
hybrid theater, mediated corporeality