Researchers

Daniel Kötter
Suzan Tunca
Lucy Bleach
Someone has to do this
Gascia Ouzounian
GIANPIERO VINCENZO
Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Azar Kafaei
Yara Guasque
telepresence, decoloniality
Debbie Straver
Bjørn Ole Rasch
Mariela Yeregui
Erin Gee
Franco Ismael Veloz
Ragnhild Thu Austnaberg
Marta Wörner Sarabia
Tove Salmgren
Joel Diegert
Mikael Charlie Bäckman
music, Music Education, musicology
Remy Dielemans
Matthew Xie
early music performance, continuo, Lute, Lute song, Theory, performance practice
Erlend Stenersen Sæth
ntnu, interaction design
Marie Fosstveit
Yanbing Wu
Haris Pellapaisiotis
Safa Tharib
emergent storytelling, 3D, narratology, digital arts
Henning Kristoffer Borgen
Maryam Touzani
Sergej Tchirkov
artistic research, contemporary music, collaborative spaces, Shared Space
Gabriel Bouffard
Maaike Dijk
Tianwei Yuan
Verena Wieland
Laura Brechmann
Lisanne Meijers
Matthew Seán Mc Carty
Antonio Pellegrino
Aruth Masrangsan
Maëlla Castiglione
Maria Guedes
Duarte Sousa
Elena Cirkovic
more-than-human, more-than-human realms, space / place, earth processes, planetary boundaries, traditional art, sustainability, sustainable architecture, landscape, space, spaceflight, forest dynamics, animal ethics, darkness, day and night, daylight, Arctic art, arctic, Balkans, transdiciplinarity, Trauma; Memory;
Johannes Lucian Reck
Nataliia Burmaka
Martina Isernia
Marina Tselemente
Emma Mathea Børsting Andersson
Luise Gansauge
Maeve Kuitenbrouwer
Dorian Vale
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory
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