Mark Tatlow
early music performance, early opera, embodied research, the musical event
Ekaterina Butorina
BCI, sensors, AI, space, data, design, recording, landscape, architecture
René Silva
Artistic Research Music, Musical Composition, Contemporary Music, Barrel Organs, heritage engagement
Constantinos Miltiadis
architecture, virtual environments, real-time interaction, spatiotemporal environments, Spatial Audio, philosophy, game studies, virtual reality
Pavel Prokopic
Film Aesthetics, Film Performance, Film Ontology, Cinematography, Experimental Film, Art Cinema, Fiction Film Directing, Affect theory, Film Semiotics
Jelena Škulis
materiality, community, feminism, craftivism, textile, textuality, processualism, slowness
Hans Lennart Jonsäll
electroacoustic music, electronic music, live electronics, composition, Experimental music, sound art, synthesizers, Experimental musical instruments, modular synthesizers, spirituality, Religious Studies, free improvisation, improvisation
Maia Navas
videoart, experimental film, Contemporary art
Hubert Thériault
Mythology, anti-colonialism, dissolution, territory, somatics, Reenactment
Laureen Mahler
making, practice-led research, interdisciplinarity, origami tessellations, folding, materiality, entanglements, dynamic space, visuality of making, sustainability, perception
Helene Waage
Music and health, Music and relations, Music and dementia, Music Performance, Folk music, Posthumanism, Posthuman methodology
Alžběta Trojanová
performative walk, Non-Place, environmental art, land art, Site-specific;, non-site, singing