Joanne Scott
live media performance, intermediality, audio-visual, Practice-as-research, Practice Research, more than human, eco-art, ecology, artistic research, soundwalk, soundscape
Bruno Pereira
voice, improvisation, art, performance, sound, body, opera
Martin P Eccles
walking, sound, movement, time, distance, landscape, place, Durational practice, embodiment, phenomenology, human scale, solitude, field recording, poetry, haiku, haibun, mesostic, replication, replicated walks, islands, imagined islands, chance processes, random, sound art, soundwalking
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Fernanda Branco
performance; re-enactment; landspace; site; environment;, antropocene, posthumanism, soundscape, micro-phenomenology;, New Materialism
Nele Möller
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Hans Lennart Jonsäll
electroacoustic music, electronic music, live electronics, composition, Experimental music, sound art, synthesizers, Experimental musical instruments, modular synthesizers, spirituality, Religious Studies, free improvisation, improvisation
Catherine Cartwright
trauma, ethics, Participatory Art, participatory arts, Printmaking, collage, collaboration, Spaces
Andrea Bonderup
Reproductive rights Reproductive labour, feminism, patriarchy, anthropology, women's rights, women's health, the history of misogyny, PHOTOGRAPHY, poetry, reproductive rights, reproduction labour, feminism, patriarchy, PHOTOGRAPHY, installation, women's rights, women's health, the history of misogyny, anthropology
Hoai Tran
Fashion, architecture, history of perception, history, Design Thinking, design, materials
Stuart Slater
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme