Assi Karttunen
musical gesture, embodiment, historically informed performance, Performance studies, phenomenology
Thomas Ballhausen
text, Literature, Film studies, textualism, science fiction, philosophy
Tyler Payne
feminism, art, feminist art, carnal sociology, feminist epistemology, video art, performance art, marxism, parasocial interaction theory, social media, advertising, gender performativity, social construction theory, intersectionality, instagram, intersectional feminism, commodity fetishizm
Kate McCallum
Art practice as research, linguistics, linguistic pragmatics, abstraction, mathematical thought, art and science, art and technology, artistic research, ethnography
Wei-Ya Lin
artistic research, ethnomusicology, indigenous music, Indigenous Studies, indigenous knowledge, Taiwan, Music Education, transdiciplinarity, auditory ontology, composition process, curatorial practices
Xavier Mendik
Representations in cult and horror cinema, Images of terrorism in cult film traditions, Documentary film practices, Italian cinema and society, Culture and conflict in Canadian film
D.A. Calf
sound, sonic materialism, Spatial Practice, archival practice, balkan history, french history, Language, serialisation, contested territories, Memory culture, memory politics, Sound Design, the quotidian, composition, memory, time studies, geology, archaeology
Liza Lim
Music Composition, ecology, time, Anthropocene
Anke Zijlstra
dance, art education, audiences, embodiment, public space, artistic research, participatory spectatorship
Lotte Dohmen
concepts of work and labour, regenerative knowledge systems, collective research in arts, Sustainable performance
Chiara Mu
performance art, visual art, intersectionality, Memory culture, embodied methodology, embodiment, risk, Care ethics, relational aesthetics