Electa Behrens
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Marjolijn Rijks
phenomenology, Deleuze, visual art, structure, eyes, mycology
Christoph Solstreif-Pirker
Anthropocene, trauma, political ecology, performative research, non-philosophy, ecofeminism, copoiesis, psychoanalysis, continental philosophy, architecture, space, environmental ethics, artistic research, Feminist Theory, art theory, psychotherapy, pessimism
Thomas Grill
Media Arts, Experimental music, Sound Art, improvised music
Saskia de Wildt
arts-based research, ethnography, visual ethnography, environmental humanities, Politics of knowledge, critical discourse analysis, Global development studies, sustainability
Fernanda Branco
performance; re-enactment; landspace; site; environment;, antropocene, posthumanism, soundscape, micro-phenomenology;, New Materialism
Jocelyn Michel Janon
photography, visual storytelling, methodologies, media, design, fiction-based research, colonial memory, scientific fictionalism, cultural representation, practice-based research, Archival Research, decolonial critique, embodied practice, visual memory, ethics of image-making, historical recontextualisation, Artificial Intelligence (AI)
Nicola Visser
Contemplative Dance Practice, Authentic Movement, Witnessing, Dance and Movement Improvisation, Thinking at the Edge, minor gesture, decolonial delinking, transformational infrastructure, community dance practice, eye practices
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio