Priska Falin
Ceramic practice, aesthetic experience, embodied cognition, method and theory, material experience, sense perception, metaphor, Subtle body, meditative process
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Jessica Renfro
Participation, socially engaged art, new media art, practice-based research, digitality
Anne Hytta
artistic research, traditional music, Practice-as-research
Rah Eleh
counter-futurism, ethnic-futurism, Contemporary art, liminal experiences, diaspora, nationalism, queer theory, intersectionality, feminism, postcolonial/decolonial theories, videoart, Installation Art, performance, digital art