Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Sepideh Karami
architecture, dissident, Writing as artistic research, critical writing, minor architecture
Jim Harold
visual art, Poetry, Photography, Place Identity, Marginal landscapes, Contested Spaces and Histories
Uwe Steinmetz
Jazz, postsecularity, religion and music, Lyricon, electroacoustic music
Niclas Hundahl
posthumanism, aesthetics, Body, music, technology, Music analysis, Music history
Jakub Jan Ceglarz
Layers, art, queer theory, Foucault, performance; landscape; video; sound; installation, Golding, Palimpsest, continental philosophy
Tina Auer
experiential futures, futures literacy, lighthouses, The Art of Powerful Questions, Immersive Environments, narratives
Pedro Alegria
algorithms, Algorithmic Art, stochastic, epistemology
Ettore Cauvin
Classical Music, Clarinet, Interdisciplinarity, Performance, Performing Arts, Crossover, Ethnography, Nordic Music, Danish Folk Music, Sustainable performance, sustainable development, performance; re-enactment; landspace; site; environment;, embodiment, choreography and performance
Stefan Schäfer
ecological grief, ecological loss, Climate Change, ontological design, Design research, artistic research, Death, death culture, commemorative ritual, ritual, end of life practices, mountains, rocks, Glacier, glacier funeral, Embodied knowledge, anthropocene, ecology, Environment, poetry, scores, invitations, ethics, Artistic reserach
Pilar Miralles
listening, remembrance, presence, autoethnography, sensorial research, disposability