Researchers

Mark Tatlow
early music performance, early opera, embodied research, the musical event
Stacey Sacks
presence, embodiment, representation, animation, theatre, Sculpture, drawing, intimacy, audiences, fragmented narratives, activism, whiteness, masking, clown, performance, performer
Elin Tanding Sørensen
artistic research, artistic method, architectural research, urban blue, more-than-human, more-than-human care, urban ecology and water-management, co-creational practices, experimental archeology, marine landscape architecture, marine biology, ecological engineering, ethic of wonder, nature as mentor, multispecies urbanism, undisciplined
Johannes Kretz
Transculturality, composition, electroacoustic music, electronic music, Live-electronics, ethnomusicology, philosophy, philosophy as art, biology, mathematics, Physics
Helena Grande Vicente
relational ontology, Media Arts, philosophy of technology, Affect, performance
Jamie Savan
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Veerle Van der Sluys
interaction design, interplay design&science, interplay design&technology
Sabrin Hasbun
creative writing, performative writing, History, Palestine, autofiction, autoethnography
Josh Wagner
Fiction/Narrative, Somatics, Butoh, Posthumanism, Ecology, Physics, Filmmaking, Storytelling, phenomenology, treeeeees, teratology, process ontology
Myna Trustram
Experimental writing. Museology.
Ewa Łączkowska
Sociology, dance, Onto-epistemology, indigenous knowledge, STS, knowledge making, perception, somatic approach, arts-based research
Zornitsa Stoyanova
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy
Bamdad Khoshghadami Hosseini
musicology, Music Education, artistic research