Brandon Bauer
Art Theory and Politics, Contemporary art, Democratizing the Aesthetic, Nuclear Weapons, Nuclear Freeze, Democracy and citizenship, climate crisis, propaganda, critical history
Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Casper Schipper
sound, computer music, programming, research catalogue, composition, coding
Matilde Meireles
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Freï von Fräähsen zu Lorenzburg
Performance, Performance art, Performance art theory and practice, Conceptual art, Monarchy, Ceremony, ritual, rituality, performativity, performative research, transmedia, anthropology, Queer, queer theory, Micronations, Micronationalism, Magick, Magic, Theology
Lisa Salamandra
figurative art, raw meat, taboos, nude, art, collage, artwork
Joshua Hale
creativity, arts-based research, interdisciplinarity, design, visual art, hybridity, art and environment, human centered design
Dániel Máté
home, design, ideology, Semiotics, nationalism, modernity
Narges Porsandekhial
writing as practice, socially engaged art, relational aesthetics, public art, drawing, poetry, text, Writing as artistic research, text-based, Institutional Crtique, research-creation