Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Simon Gilbertson
multiplicity, materialization, music, care, devices of sensing, the in visible society, cross-professional immersion, learning and change, transversality
Gareth Somers
Performance and Ecology, Theatre, Devised Performance, Theatre History, Actor Training, Interdisciplinarity, Spirituality, Somatics
Jasmin Schaitl
performance, visual art, participatory arts, memory, haptics, installation
D.A. Calf
sound, sonic materialism, Spatial Practice, archival practice, balkan history, french history, Language, serialisation, contested territories, Memory culture, memory politics, Sound Design, the quotidian, composition, memory, time studies, geology, archaeology
Haris Adhikari
poetic inquiry, artistic research, artistic process, threshold concepts, spatiality, postcoloniality, creative pedagogies, qualitative research methods, Advaita as experience, post-qualitative inquiry
Vera Boitcova
Dramaturgy, performance, queer theory, queer art, queer migrant performance, home, Otherness, belonging
Lotte Dohmen
concepts of work and labour, regenerative knowledge systems, collective research in arts, Sustainable performance
Isa Bruijnen
art education, artistic research, visual art, paintings, creative process, Enjoyment, teaching artist, Becoming, thinking through making
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music