Henrik Frisk
Improvisation, HCI, Composition, Sound design, Music philosophy
Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Cheryl Akner Koler
haptic, aesthetic abstractions, creative collaboration, cross-disciplinary, intradisciplinary, applied aesthetics, sensitizing labs
Tim Boykett
exploratory practices, futures, mathematics, participation, boating, open processes, facilitation, cargo, physical narration
Paula Kramer
contemporary outdoor movement practice, performance, landscape, daily life, resonance, environment
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
mari martin
performance, collaboration, artistic processes, environment, senses, interaction, encountering, urban space, artistic research, ecology, artistic dialogue, anti-racism, transcorporeality, performing arts, virtuality, materiality, body, participatory installation, post doc research, public urban space, city, human, non-human, teacher of thatre art, multidisciplinarity, cross-disciplinarity, cooperation
Elsa Kosmack Vaara
time, artistic research, culinary arts, transdiciplinarity, prototyping, sustainability, participatory culture, participatory design
Helena Persson
sound art, sound art installations, site specific artwork, spatial art, sound composition, listening
Carl-Mikael Björk
performativity, queerness, narratives, posthumanism, post-qualitative inquiry, PHOTOGRAPHY, Early childhood education