Eric Souther
Code, toolmaking, new media art, New Materialism
Benedict Olk
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Simon Gilbertson
multiplicity, materialization, music, care, devices of sensing, the in visible society, cross-professional immersion, learning and change, transversality
Rachael Jones
experimental filmmaking tools, material methods, arts-based research, participation in filmmaking, sensuous knowledge, materialist filmmaking
Louise Walleneit
artwork, artistic research, art practice, art education, aesthetics, Body based art, bodytalk, body language, digital art, participatory arts, intervention, textile, McLuhan, bodyextension, Hartmut Rosa, Birgit Schneider, performance, Derrida, Franz Erhard Walter, Rebecca Horn, Mona Hatoum
teresa luzio
performance; walking; visuality; performance documentation
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism
Cecilia Carvalhal Braga de Andrade
Performance art, Queer studies, Wearable sculpture, Expanded cinema, Participatory art, Latin American art, Collective memory, Identity and embodiment, Gender studies