Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Assi Karttunen
musical gesture, embodiment, historically informed performance, Performance studies, phenomenology
Julieanna Preston
live art, spatial design, performance writing, new materialism, sound art, aurality
Hwa Young Jung
art, artistic research, socially engaged art, Social Practice, criminology
Francisco Beltrame Trento
neurodiversity, queer theory, Film-making, post-qualitative inquiry, neuroqueerness, artistic research, anarchive, research-creation, kinship
Matthew Galea
Sculpture, Cross Media Systems, Mixed Reality Systems, Sound Art, Sound Sculpture, Social Sculpture, Hybrid Interfaces and Interaction Modalities, Interactive Art Practice, Artificial Consciousness, Human Computer Interaction, Machine Awareness, Alternative Platforms and Archives., Tattoo
Tamar Zhvania
artistic research, musicology, piano pedagogy, piano practice
Pavel Prokopic
Film Aesthetics, Film Performance, Film Ontology, Cinematography, Experimental Film, Art Cinema, Fiction Film Directing, Affect theory, Film Semiotics
David Bello Arcos
music in society, public space, public urban space, public sound installation, public art, Public sphere, Public History, nature culture, Social bond, interdisciplinarity, performance, non-human
Denisa Salontayova
design, textile design, textile print, Textiles, graphic design, graphic art, national identity, textile making, fashion, VISUAL CULTURE, cultural memory, culture, artistic research, art education, heritage, history of ideas, Czechoslovakia, dream as collective matter