Zoe Panagiota (aka Betty) Nigianni
art, artistic research, politics, Art history, activism, Cultural production, institutional critique, Investigative art, philosophy, post-conceptual art, feminism, cultural sociology, cultural psychoanalysis, Entrepreneurship
David Gorton
composition, artistic research, contemporary music, Early music, collaboration, Performance analysis, co-creation, experimentation, Practice Research, subjectivity
Alex Nowitz
contemporary vocal performance art, voice, extended practice, improvisation and real-time composition, voice and live electronics, composition, composer-performer, politics of voice, philosophy of voice
Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Helen Kindred
embodiment, improvisation, dance, Dance education, performance
Marion Reuter
acting, presentation, representation, Perception and Consciousness, courage, vulnerability, improvisation
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Hui Han Lui
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
PoL Manterani
ecology of artistic research, magical thinking, art, visual art, interdisciplinarity, social coexistence, fungi, functional harmony, CONTEMPORARY MEDIA, future-shaping, regenerative knowledge systems