Markéta Dolejšová
Feral, more-than-human, multispecies, embodied, sensory, co-creation
Marsha Bradfield
dialogic art, Writing as artistic research, live projects, postartistic, useology, occupational realism
Geir Harald Samuelsen
Painting, Archaeology, mountain climbing, PHOTOGRAPHY, writing, drawing, haptic visuality
Uwe Steinmetz
Jazz, postsecularity, religion and music, Lyricon, electroacoustic music
Pedro Neto
Photography, documentary, architecture, artistic processes, archive, imaging
Safa Tharib
emergent storytelling, 3D, narratology, digital arts
Nele Möller
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Oprescu Simina
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies
Estefanía Díaz Ramos
Soundart, Audiovisual, Cultural Studies, Sociology, creative writing, communication, community based art work
Lisa Dillan
improvisation, improvisation exercises., improvisational scores, improvisational theatre, improvisation and real-time composition, improvisation psychology, listening, listening practices, Meditation, concentration, Flow, communication
Pilar Miralles
listening, remembrance, presence, autoethnography, sensorial research, disposability
Camila Chavez
Espacio Público, urbanism, Movimentos Sociales, mobility, diseño
Katelyn Rose King
co-creation, experimental systems, new music performance, new music theater, percussion performance, electroacoustic music, collaborative processes
Vilja Achté
computer-generated imagery, narrativity, environmental humanities, digitality, new media art