Researchers
Holger Schulze 
sound studies, sensory ethnography, anthropology, popular music, Media Arts, memes, Sound Design, sonic materialism, sounding art, soundscape, sound art, soundwalk, aural phenomenology, Aural Skills
Barbara Macek 
poetics, biophilosophy, transdiciplinarity, psychopoetology, interspecies relationships, poetry, medical history, medical humanities, autoimmunity, pain, existential philosophy
Hermans Carolien 
play;, dance improvisation, enactive cognition, participatory-sense making, affects, touch, transformation, inter corporality
Olav Friisberg Larssen 
Sound Design, music, PHOTOGRAPHY, FILM, Film-making, film score, film sound, design, wordpress, html, css, archiving, family archives, innovation, startup, food wasting, food apps
Gareth Osborne 
practice-based research, immersive arts, immersive learning, education, immersive theatre, Digital Storytelling, Embodied knowledge, artificial intelligence, participatory design, collaborative creativity, cultural spaces, children's participation, children's literature, artistic research, creative writing
Maria Jonsson 
archival practice, archival art practice, art theory, Film studies, Art history, photographic practice, forest, natural science
Korinna Korsström-Magga 
Art-Based Action Research, Community based art education, Arctic art, indigenous knowledge
W. Walker 
Art, performance, public art, deconstruction, dance, acting, performance; re-enactment; landspace; site; environment;, masquerade, african cosmologies, Caribbean, carnival
Šárka Zahálková 
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology
Dorian Vale 
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory