K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Maria Jonsson
archival practice, archival art practice, art theory, Film studies, Art history, photographic practice, forest, natural science
Camilla Carlsen
Design Thinking, Human-machine-Interaction, User Experience, User Interface, psychology
Andy Hoff
Climate Activism, arts-based research, posthumanism, Media Arts, speculative fiction, transmedia, Visual Culture, graphic novel, Practice-as-research
Katerina Undo
Coexistence, transience and transition, artificial intelligence, artificial speech, mediation, machine, embodiment
alejandra reyero
Photografy, visual art, visual culture, Indigenous People, Latin American art, decoloniality, writing;
Timo Tähkänen
queer theory, art pedagogy, Care ethics, Aesthetics and Ethics, performance for camera, drawing, Installation Art, Drag, autobiography, Feminist Theory, visual art, Gender studies, listening, alter ego, love, camp, grotesque, queer, queer art, performance