Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Terhi Marttila
digital art, digital literature, voice, electronic arts, Interactive Narratives, interactive art, interactive multimedia, games, Feminist Theory, sound art, migration
Bruno Pereira
voice, improvisation, art, performance, sound, body, opera
Sheung Yiu
Hyperimage, computation, Computational Photography, algorithmic generation, PHOTOGRAPHY, photogrammetry, computer vision, remote sensing, Hyperreality, hyperobjects, New Materialism, ontology, Speculative Realism, AI (Artificial Intelligence), artistic research, multidisciplinary
Thilde Dalager
experimental animation., authorial illustration, abjection, interdisciplinarity, the gaze, Julia Kristeva
MARIA DARMOY
performance design, scenography expanded, Choreography, stage design, video installation; performance; landscape; environment;
Uddipana Das
narrative, Storytelling, choreography and performance, dance improvisation, artistic research
Martin Høybye
Songwriting, Arts-based Research, Ethnography, Embodiment, Phenomenology, Collaborative songwriting, Autoethnography, Methods development, Theories of artistic practice
Lisa Dillan
improvisation, improvisation exercises., improvisational scores, improvisational theatre, improvisation and real-time composition, improvisation psychology, listening, listening practices, Meditation, concentration, Flow, communication
Timo Tähkänen
queer theory, art pedagogy, Care ethics, Aesthetics and Ethics, performance for camera, drawing, Installation Art, Drag, autobiography, Feminist Theory, visual art, Gender studies, listening, alter ego, love, camp, grotesque, queer, queer art, performance