Electa Behrens
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Marion Reuter
acting, presentation, representation, Perception and Consciousness, courage, vulnerability, improvisation
Edmund Hunt
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Saskia de Wildt
arts-based research, ethnography, visual ethnography, environmental humanities, Politics of knowledge, critical discourse analysis, Global development studies, sustainability
Iselin Dagsdotter Sæterdal
post-human, post-colonial, posthumanism, digital musical instruments, artography, Agential realism, agential cut, intra-action, intra-action New Materialism, New Materialism, experimentation, child as a musician, children, loop station, Live-electronics, live looping, rhizome, Assemblage, Musicking, arts-based research
Katja Münker
artistic research, Choreography, performance, somatics, walking art, Feldenkrais method, environmental artistic research
Dániel Máté
home, design, ideology, Semiotics, nationalism, modernity
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation
Melissa Ryke
Embodied listening, sound art, installation, contact improvisation, Video art, acoustic ecology, field recording, listening
Inês Azevedo
visual art, VISUAL CULTURE, museum studies, museum education, art education, Democracy and citizenship, social justice, ecologies, image archive
Puck Verras
play, playfulness, role-play, LARPing, larp, games, theatre, performance, scenography, costume design, set design, game design, Anthropocene, non-human, post-human, Climate, ecology, speculative fiction, speculative design