Jostein Gundersen
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Mathieu Lacroix
composition, multichannel, electroacoustic music, max msp, classical music, music production, metal music
Zoe Sadokierski
book design, ecological ethics, graphic design, Literature, VISUAL CULTURE, visualisation, paratext, visual communication, visual communication design, publishing, documentation, process oriented practices, critical practice
Clara Marchana
Sacred, ritual, dance, Choreography, artistic reasearch, dialogue, fragility
Qiong Zhang
performance; re-enactment; landspace; site; environment;, ecology, creative writing, surveillance, Choreography, performative practice
Sergej Tchirkov
artistic research, contemporary music, collaborative spaces, Shared Space
Madelief van de Beek
scenography, Dramaturgy, Performance art, death culture, flowers, botanical material, feminism, Video art
Charlotte Riedijk
physical performance, body awareness, vocal studies, classical singing, musicality of movement for singers, mime, stage presence
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater
Juuso-Matias Maijanen
intimacy, physical theatre, physicality, materiality, pedagogy, Pedagogy of change, agency, consent, ruthlessness, violence, dramatic combat, stage combat, stagefight, intimacy direction, fight direction, intimitet, scenkonst, performing arts, Performing arts pedagogy