Researchers

Andrew Brown
Ruben Sverre Gjertsen
Patrick van Deurzen
Pieter Koster
Adri de Vugt
Holger Schulze
sound studies, sensory ethnography, anthropology, popular music, Media Arts, memes, Sound Design, sonic materialism, sounding art, soundscape, sound art, soundwalk, aural phenomenology, Aural Skills
Mariko Goto
gilda mautone
Iram Ghufran
Documentary experimental, Artistic reserach, Media Arts, Technology and Culture, science fiction, archive
Debbie Straver
Eleni-Ira Panourgia
Sculpture, sound, sound art, materials, Materials of sound, practice-based research, Practice-as-research, Performance art, Installation Art, interactive art, interdisciplinarity
Zuzana Štefková
gender, Body based art, feminist art
Eirik Arthur Blekesaune
Karine Madran
Piotr Pajchel
Julie Andreasen
María Cadenas Rodríguez
Andrea Sodomka
Chrysoula Panagiotopoulou
Lamberto Coccioli
Kristoffer Almås
JOSHUA MICHAEL LOBB
Emelie Carlén
Inga Gerner Nielsen
interactive performance, nursing, Self-institutionalization
Despina Kapoulitsa
instant composition, dance choreography, open spaces, imaginary worlds
Ye Hui
Francesca Ajossa
Mariana Piraquive Gomez
Elisabeth Haaland Sund
Elina Ahlander
Fanny Noel
Camilla Carlsen
Design Thinking, Human-machine-Interaction, User Experience, User Interface, psychology
Yuya Takeda
media Literacy, philosophy of education, discourse studies, conspiracy theories
Carme Ortiz Valeri
artistic research, critical design, higher education, Humanities
Valentina Solari Vodanovic
Percas Skipper
Arne Vogelgesang
hybrid theater, mediated corporeality
Charlotte Riedijk
physical performance, body awareness, vocal studies, classical singing, musicality of movement for singers, mime, stage presence
Mercedes Krapovickas
Barbora Haplova
Solveig Nyhus
Nicole Ross
Jorge Alvaro Manzano
cinema, cinematography, PHOTOGRAPHY, representation, Women's Image, artificial intelligence, racism, colonialism, post-colonial
Giulia Menicucci
Angelina Tarlovskaia
Müge YILDIZ
Alessandra Di Pisa
Teodora Ricci
Filip Novák
embodiment, Embodied reflection, dance, theatre, Applied Theatre, psychosomatics, pedagogy
Martin Pšenička
theatre, performance, history of perception
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