Researchers

Zoe Panagiota (aka Betty) Nigianni
art, artistic research, politics, Art history, activism, Cultural production, institutional critique, Investigative art, philosophy, post-conceptual art, feminism, cultural sociology, cultural psychoanalysis, Entrepreneurship
Trond Lossius
sound art, installation, audio-visual, field recording, ambisonics, place, real-time, spatial audio, artistic research
Erik Friis Reitan
PHOTOGRAPHY, photosculpture, installation, Installation Art, phenomenlogy, Object Oriented Ontology, land art, Minimalism, visual art, zen, space, spacial art, landscape, ecology, technology, nature, sublime, contemporary dance, Media Arts, Physics, Astronomy, Natural Agency, Immersive Environments, immersive theatre, Artificial Intelligence (AI)
Udo Maria Fon
perception, cognition, field of perception, rooms of perception, information rush, digitality, poetry, data entity, dada, dataism, social entropy, social resonance, metacognition
Alexander Rishaug
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Emilie Löfgren
documentary, filmmaking, radio, art, grief
Linde Tillmanns
conceptual art, multidisciplinarity, modern jazz, multi-instrumentalism, musical languages, linguistics in relation to music
Miriana Faieta
voice and language, collective practices
P d Andrea
pubblic art, organic material, community art, plants based art, shadow and light, editorial and research, visual art, care dare share, visual culture
Γιωργος Αλουπας
Photography, cinematography
Despina Papadopoulos
artificial intelligence, embodiment, philosophy, machine learning, prompting
Rah Eleh
counter-futurism, ethnic-futurism, Contemporary art, liminal experiences, diaspora, nationalism, queer theory, intersectionality, feminism, postcolonial/decolonial theories, videoart, Installation Art, performance, digital art
Heper Sayar
Artificial Intelligence (AI), non-human, Techno Arts, psychology of perception, Visual Perception, Human-machine-Interaction
Eleonora Gasparini
unlearning, performative practice, participatory arts