Researchers

Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Terhi Marttila
digital art, digital literature, voice, electronic arts, Interactive Narratives, interactive art, interactive multimedia, games, Feminist Theory, sound art, migration
Anouk Mirte Hoogendoorn
spectrality, more-than-human, fabulation, sociality, collectivity, neurodiversity, queer theory, neuroqueerness, anarchive, artistic research, radical pedagogy, stones, textures, process philosophy, materiality of language
Merja Ryöppy
Participatory theatre, Object theatre, improvisation, human-object relating, design process, participatory design
Francisco Beltrame Trento
neurodiversity, queer theory, Film-making, post-qualitative inquiry, neuroqueerness, artistic research, anarchive, research-creation, kinship
Andrew Knight-Hill
Sound Art Sound-Space, electroacoustic music, electroacoustic composition
Maarten Vanden Eynde
Art, Archaeology, Geology, Science and Technology Studies, Science Fiction, Future Studies, colonization, colonial memory, natural resources, natural science, natural history museum, museology, technology, biomimicry, genetics, genealogy, genetic engineering
Gareth Somers
Performance and Ecology, Theatre, Devised Performance, Theatre History, Actor Training, Interdisciplinarity, Spirituality, Somatics
E.Reynolds
alternative art schools, alternative pedagogies, de-centring spaces, conceptualising frameworks for artistic research, sites of participation, performative research tools, deep mapping.
Sharin Foo
immersive performance, Spatial Audio, spatialization, music
Sara Simionato
Music Composition, embodiment, singing
Timo Tähkänen
queer theory, art pedagogy, Care ethics, Aesthetics and Ethics, performance for camera, drawing, Installation Art, Drag, autobiography, Feminist Theory, visual art, Gender studies, listening, alter ego, love, camp, grotesque, queer, queer art, performance
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology