Researchers

Trond Lossius
sound art, installation, audio-visual, field recording, ambisonics, place, real-time, spatial audio, artistic research
Alex Nowitz
contemporary vocal performance art, voice, extended practice, improvisation and real-time composition, voice and live electronics, composition, composer-performer, politics of voice, philosophy of voice
Jonas Howden Sjøvaag
music, audio recording, DIGITAL IMAGING, digital art, drums, jazz, improvisation, artificial intelligence, songwriting, Lyrics
Nicolau Centola
Soundart, soundscape, sound
Helga Schmid
Time, Chronobiology, Sociology, Psychology, performance, design=art=research
Jacek Smolicki
field recording, soundwalking, para-archiving, soundscape, mapping, experimental cartography, personal archiving, acoustic ecology, psychogeography
Julika Gittner
public sculpture, art & activism, art & regeneration, sustainability, social justice
Jessica Renfro
Participation, socially engaged art, new media art, practice-based research, digitality
Guy Livingston
silence, absence, music aesthetics, urbanism, Luwteplekken
E.Reynolds
alternative art schools, alternative pedagogies, de-centring spaces, conceptualising frameworks for artistic research, sites of participation, performative research tools, deep mapping.
Veronika Pfaffinger
Planetary Gardening
Nina Goedegebure
art, science and art
Tobias Gaede
visual art
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology