Karin DE FLEYT
music, temporality, time and space, Stockhausen, contemporary music
Charlotte Østergaard
costumes, artistic research, materiality, performativity, cotume, theater, performance, Design Thinking, co-creation, collaboration, Site-specific, listening, listening with costume, hosting, Textile art, material thinking, hospitality, ethics, research ethics, Design research
Alexander Rishaug
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Simon Jon Andreasen
film, games, television, storytelling, virtual production, animation, storyworlds, worldbuilding, theater, narative, devising, comics
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Uddipana Das
narrative, Storytelling, choreography and performance, dance improvisation, artistic research
Petra van Aken
Performance in public space, Workshop, Embodied knowledge, Body based art, Body of the Performer, inter acctment, spatial perception and cognition
Ewa Łączkowska
Sociology, dance, Onto-epistemology, indigenous knowledge, STS, knowledge making, perception, somatic approach, arts-based research
Timo Tähkänen
queer theory, art pedagogy, Care ethics, Aesthetics and Ethics, performance for camera, drawing, Installation Art, Drag, autobiography, Feminist Theory, visual art, Gender studies, listening, alter ego, love, camp, grotesque, queer, queer art, performance