Trond Lossius
sound art, installation, audio-visual, field recording, ambisonics, place, real-time, spatial audio, artistic research
Misha Penton
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Terhi Marttila
digital art, digital literature, voice, electronic arts, Interactive Narratives, interactive art, interactive multimedia, games, Feminist Theory, sound art, migration
Marion Reuter
acting, presentation, representation, Perception and Consciousness, courage, vulnerability, improvisation
Edmund Hunt
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Lisa Salamandra
figurative art, raw meat, taboos, nude, art, collage, artwork
Hermans Carolien
play;, dance improvisation, enactive cognition, participatory-sense making, affects, touch, transformation, inter corporality
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Inge Kengen
performance, belonging, identity, installation, artscience
Juan Carrillo Rios
artwork, education, Indigenous Studies, Indigenous Languages, indigenous knowledge, Artes Visuais, medio ambiente, VIDEO, pintura
Denisa Salontayova
design, textile design, textile print, Textiles, graphic design, graphic art, national identity, textile making, fashion, VISUAL CULTURE, cultural memory, culture, artistic research, art education, heritage, history of ideas, Czechoslovakia, dream as collective matter
Hala Ali
Collaboration between Visual Arts and Other Discipline, Audience Engagement and Interaction;, noeuroscience and art