Holger Schulze
sound studies, sensory ethnography, anthropology, popular music, Media Arts, memes, Sound Design, sonic materialism, sounding art, soundscape, sound art, soundwalk, aural phenomenology, Aural Skills
Dion Star
process, process oriented practices, writing, material writing practices, film, trialogue, gestures, gesture, art, oulipo, flusser, pseudo writing
Alexander Rishaug
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Behzad Khosravi Noori
Contemporary art, contemporary history, Film-making, micro-histories, autoethnography, politics of representation, colonial memory, Global South
Imani Rameses
Neuroaesthetics, phenomenlogy, emotional communication, Choreographic Research, consciousness, interdisciplinarity, philosophy, neuroscience, psychogeography
Linde Ex
Artistic research, visual art, autoethnography, ecology, more than human worlds, multidisciplinary
Liv Kristin Holmberg
music, music aesthetics, music theater, Performance art, Theology, philosophy, ritual, ritual art, crossdisiplinary, Norwegian Artistic Research Programme, utopia, sound art, public art, Religion
Liesel Dom
performance; landscape; video; sound; installation, Information and communication, Socio-political activism, Internet, digital art, propaganda, philosophy as art, Documentary experimental, Myths, Belief
Sabrin Hasbun
creative writing, performative writing, History, Palestine, autofiction, autoethnography
Thilde Dalager
experimental animation., authorial illustration, abjection, interdisciplinarity, the gaze, Julia Kristeva
Hiba Masad
Storytelling, Printmaking, reading, belonging, Artistic reserach, public space, public art, libraries, archives, identity, Homeland, home, Pain, collective memroy
Oprescu Simina
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies
Matthew Kaner
composition as research, adaptation, narrative, Practice Research
Dianne Reid
screendance, dance improvisation, site specific performance, contemporary dance, interactive performance
Puck Verras
play, playfulness, role-play, LARPing, larp, games, theatre, performance, scenography, costume design, set design, game design, Anthropocene, non-human, post-human, Climate, ecology, speculative fiction, speculative design