Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Ekaterina Butorina
BCI, sensors, AI, space, data, design, recording, landscape, architecture
Xenia Mura Fink
gaze, female gaze, politics of representation, figuration, drapery, queer feminism
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Charles Baumstark
composition, composition process, composition tools, composition technique
FRANCO RIPA DI MEANA
performance, Technology Innovation, multimedia, transdiciplinarity, Science and Art collaborations, performativity, community, userinvolvment, User Experience
Ieva Baltrenaite
art, artistic research, design, clothes, Sociology, memory, Memory culture, anthropology, fashion, fashion design, fashion practice research, fashion creativity, fashion making, History, performing arts, Contemporary art
Pilar Miralles
listening, remembrance, presence, autoethnography, sensorial research, disposability