Esa Kirkkopelto
performance philosophy, performer training, post-structuralism, posthumanism, Contemporary performance, artistic research, methodology
Ami Skanberg
walking activism, Cixous, Japanese philosophy, Japanese dance, suriashi, artistic research, dance practice, movement research, performance lecture, nihon buyo
Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Katrina Brown
choreography, drawing, documentation, contemporary arts, hybrid practice, horizontality, artistic research
Richard Alsadi
Qanun performance, Middle East, Ancient instruments, extended techniques, Qanun, soundscape composition
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Garrett Lynch IRL
networked art, networked performance, post-disciplinary practice, digital arts
Narges Porsandekhial
writing as practice, socially engaged art, relational aesthetics, public art, drawing, poetry, text, Writing as artistic research, text-based, Institutional Crtique, research-creation
Melissa Ryke
Embodied listening, sound art, installation, contact improvisation, Video art, acoustic ecology, field recording, listening
Isabel Frey
ethnomusicology, Jewish Music, folk music, nationalism, yiddish, voice studies, sound studies, gender, minorities, diaspora, activism
Helena Persson
sound art, sound art installations, site specific artwork, spatial art, sound composition, listening
Francesca Guccione
music, musicology, Jóhann Jóhannsson, film music, Music editing, music production, violin, Music philosophy