Researchers

Till Bovermann
sonification, listening, Live-electronics, live coding
Rozita Fogelman
architectural abstraction, archetypes, ASCII and Unicode systems, computer and code-based art, text as material, pattern formation, graphic systems, digital art
Barbara Lueneburg
Instrumental Performance Studies, Participatory Art, Authorship, Collaboration, Methodology, Embodiment, Artistic Research
Maria Huhmarniemi
community art, socially engaged art, environmental art, art education, arctic, sustainability
Julia Hoelzl
limits, limit-experiences, endings, finitude, transience
Dawn Woolley
consumer culture, feminism, self-portraiture, still life, marxism
katta pålsson
art, science policy, Social science
Saman Samadi
composition, ethnomusicology, experimental music, persian music, poststructural theory, music notation, aesthetic of modernism and postmodernism, performance practice of new music, music and identity, conceptual history, continental philosophy, deleuze, complexity, linguistics, semiotics
Helen Scarlett O'Neill
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Gareth Somers
Performance and Ecology, Theatre, Devised Performance, Theatre History, Actor Training, Interdisciplinarity, Spirituality, Somatics
Ella Raidel
Experimental Cinema, Contemporary Aesthetics, Contemporary Art, Interdisciplinary Research Urban Studies, East and Southeast Asian Cinema, Sinophone Cinema, Nonfiction Cinema, Documentary Film
Greg Bruce
artistic research, electroacoustic music, improvisation, classical performance practice, saxophone, Augmented Instruments, analogue electronics, analogue vs digital, research-creation
Petra van Aken
Performance in public space, Workshop, Embodied knowledge, Body based art, Body of the Performer, inter acctment, spatial perception and cognition
Myna Trustram
Experimental writing. Museology.
Ewa Łączkowska
Sociology, dance, Onto-epistemology, indigenous knowledge, STS, knowledge making, perception, somatic approach, arts-based research
Katelyn Rose King
co-creation, experimental systems, new music performance, new music theater, percussion performance, electroacoustic music, collaborative processes