Researchers

Julián Turiel Lobo
Early music, classical music
Ana Souto Galvan
memory, architecture, Participatory Art, monument, identity
Bruno Moreschi
decolonial studies, computer art, vision, computer vision, institutional critique, Artificial Intelligence (AI), technology, image, Visual Studies, Conceptual art, Contemporary art
Klas G Dykhoff
Sound as a narrative tool
Andreas Borregaard
music, accordion, performance
Nora Rinne
performance art, live art, artistic research, children, childhood, verbatim, imitation
Anders Holst
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time
Shauheen Daneshfar
decay, memory, poetic imagery, existential philosophy
Marianne Baudouin Lie
music, contemporary music, microtonal music, presence, performance, performing arts, embodiment, Entrepreneurship, improvisation, performer-composer collaboration
Stefania Castelblanco Perez
Through practice and research, I investigate the relation between sustainability, material availability, traditional craft techniques and the role of collective, ecological and cultural resistance in craft processes
Hui Han Lui
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
Yamil Hasbun Chavarría
Actor network theory, governmentality, Design research, materiality, material ontology, Semiotics, material semiotics
Ettore Cauvin
Classical Music, Clarinet, Interdisciplinarity, Performance, Performing Arts, Crossover, Ethnography, Nordic Music, Danish Folk Music, Sustainable performance, sustainable development, performance; re-enactment; landspace; site; environment;, embodiment, choreography and performance
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio