Researchers

Henrik Frisk
Improvisation, HCI, Composition, Sound design, Music philosophy
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Fabian Weiss
PHOTOGRAPHY, VIDEO, Body, embodiment, optimal performance
Mariske Broeckmeyer
music aesthetics, Migraine, Aesthetics of Failure, vocality
Helen Scarlett O'Neill
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Mauricio Carrasco
artistic research, embodiment, performance, qualitative research methods, transdiciplinarity
Marlies Surtmann
performance, archive, künstlerisch-performative Erschließung, public space, participatory arts, performance archive, artistic performative transmission strategies
christian scott
participatory design, cities, play, place
Maria Høgh-Mikkelsen
colour, design, material, aesthetics, artistic research, textile, atmosphere, phenomenlogy, creativity, Design research, design process
Maia Navas
videoart, experimental film, Contemporary art
Anne Hytta
artistic research, traditional music, Practice-as-research
Leslee Smucker
liminality, violin, contemporary music, Experimental music, theatre, prepared instruments
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism