Lauren O'Neal
curation, pedagogy, experimentation, architecture, dance, museums, galleries, academia, artistic research, process, interdisciplinarity, choreographic thinking, open-endedness, poetics, co-imagining, installation, invisible research, curatorial dramaturgy
CAT HOPE
Animated Music Notation, Experimental music, composition as research, Music Performance
James Wood
Literature, music, aesthetics, postcolonialism, Decolonizing methodologies, phenomenlogy
Shane Finan
place, technology, interactive, Painting, transience, ephemeral, solastalgia, interactive installation, interactive art, digital art, Language
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Catherine Cartwright
trauma, ethics, Participatory Art, participatory arts, Printmaking, collage, collaboration, Spaces
Hui Han Lui
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
Tuomas Rounakari
Artistic research, Myths, mythologies, Altered states of consiousness, more-than-human, indigenous knowledge, Arctic art, community engagement, trance, transcendence, transdiciplinarity, mythical dialogue, bear feast ceremony, bear myths
Olya Zikrata
wartime sound, Ukraine, activist cultures, sound and violence, ecologies of relation, resistance politics, belliphonic atmospheres, sonic relationality, materiality, new materialism, posthumanism