Sónia Pina
Intermedia, intermediality, Fluxus, New-Media, Intersemiotics, communication, expanded-arts, visual ontologies
Hélène MUTTER
War, Conflict Zones, research-creation, world, Social science, geopolitics, visual art, education, PHOTOGRAPHY, archive, memory
Rachel Kaminski Sanders
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
Ulvi Haagensen
artistic research, autoethography, drawing, performance, sculpture, installation, the everyday, blurring
Egle Oddo
performance, visual arts, vegetal biodiversity, installation, site responsive practices, Site-specific, photography
Ieva Baltrenaite
art, artistic research, design, clothes, Sociology, memory, Memory culture, anthropology, fashion, fashion design, fashion practice research, fashion creativity, fashion making, History, performing arts, Contemporary art
Sabrin Hasbun
creative writing, performative writing, History, Palestine, autofiction, autoethnography
Kamila Wolszczak
other than human, relational aesthetics, Artifacts, traces, speculative practice
Monica Lim
Interactive Composition, Interactive Art, Experimental Music, New instruments for Music Exploration, Computer Music, AI in Music
Dianne Reid
screendance, dance improvisation, site specific performance, contemporary dance, interactive performance
Berit Seidel
surveillance, collectivity, Decolonial methods, Storytelling, Everyday Objects