Vahri McKenzie
Theories and practices of contemporary performing arts, Artistic research design and methodologies, Theories and practices of writing, Artistic responses to science and technology, Improvisation, collaboration and embodiment in creativity
Amra Heco
audio-visual, philosophy, phenomenology, art, artistic research, aesthetics, multi-mode epistemological model, multimedia, multiple belonging, multidisciplinary, psychoanalysis, psychology of perception, Jung, gardening, diaspora, quantum field, water; performance; stone;, wind, writing, rhythm language, time, translation, truth, youth, Youth driven, universe, unfinished, unlearned insight, interview, improvisation, interpretation, interactive, orientalism, performance; re-enactment; landspace; site; environment;, participation, Lecture Performance, john cage, jazz, Journal for Artistic Research, holism, harmony, heritage, FILM, food, feminism, doctorate, DIY, sound, Zodiak, criticism, children, Contemporary art, visual art, voice and live electronics, visuals, VIDEO, VISUAL CULTURE, video performance, video installation; performance; landscape; environment;, breathing, new media art, morality
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Paula Guzzanti
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
Hwa Young Jung
art, artistic research, socially engaged art, Social Practice, criminology
Nikolaus Eckhard
capitalocene, futures, materiality, collaboration, socio-ecological transformation, soil
András Blazsek
Environment, Soundart, Soundscapes, media archeology, Sound Archeology, sound architecture, Data Sonification, Scupture
Martyna Kosecka
Music analysis, composition, composition technique, composition process, microtonal music, Spectral music, sonoristic music, electroacoustic music, electronic composition, new opera, experimental voice
Henrik Stensli
engineering, technology, design, CAD, 3D models, modeling and simulation
Emma Margetson
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
E.Reynolds
alternative art schools, alternative pedagogies, de-centring spaces, conceptualising frameworks for artistic research, sites of participation, performative research tools, deep mapping.
Brett Ascarelli
Documentary storytelling, audio, instructions, scores, assignments, processes, media, documentary processes