Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Rachel Kaminski Sanders
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
Eka Chabashvili
music, composition, Contemporary art, genetics, Physics, land art, piano, experimental, audio-visual, film music, fine art, ancient cultures, ecomusicology
Sergio Montero Bravo
artistic research, art, design, architecture, ecologies, rural encounters, education
Fabian Chyle
PERFORMANCE STUDIES, DANCE MOVEMENT THERAPY, COMMUNITY DANCE, ARTISTICE RESEARCH, Choreography
Könemann Flora
sound, Listening space and electroacoustic diffusion, craft, somatic research, dance;, composition, free jazz, frequency, painting process, movement, trance, Colour, transition
Célia Ferreira
educação através da arte, arte têxtil, artesanato, artivismo e património, educational action research, weaving, Craft, art education, artivism, heritage
Puck Verras
play, playfulness, role-play, LARPing, larp, games, theatre, performance, scenography, costume design, set design, game design, Anthropocene, non-human, post-human, Climate, ecology, speculative fiction, speculative design