Researchers

Sónia Pina
Intermedia, intermediality, Fluxus, New-Media, Intersemiotics, communication, expanded-arts, visual ontologies
Sander Hölsgens
Phenomenology, Visual arts, architecture, Film-making, documentary film, activism
Christian Doeller
error, interactive installation, agency, Noise, Human-machine-Interaction, digitalization, digitality, physical computing, sciart, transdiciplinarity, translation, transcriptions, Sculpture, DIGITAL IMAGING, prototyping, generative art
Alex Nowitz
contemporary vocal performance art, voice, extended practice, improvisation and real-time composition, voice and live electronics, composition, composer-performer, politics of voice, philosophy of voice
mari martin
performance, collaboration, artistic processes, environment, senses, interaction, encountering, urban space, artistic research, ecology, artistic dialogue, anti-racism, transcorporeality, performing arts, virtuality, materiality, body, participatory installation, post doc research, public urban space, city, human, non-human, teacher of thatre art, multidisciplinarity, cross-disciplinarity, cooperation
Edit Kaldor
performance, theatre, Dramaturgy, spectatorship, participation, co-creation, documentary, pedagogy
Paul Vickers
Sonification, auditory display, aesthetic experience, aesthetics of sound, aesthetics of sonification
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Helen Felcey
ceramics, Craft, design, Health, well-being, Buddhism
Linn Henriksson Strååt
Devising, scenography, costume design, devising theatre, Deleuze, phenomenlogy, New Materialism, carnal aesthetics
Maarten Dillen
auto-ethnography, drawing, visual art, dialogue, artistic research, methodology, art education, PHOTOGRAPHY
Eira Bjørnstad Foss
violin, curatorial practices, new music, sound art, performance
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation
Celine Lyng
songwriting, artificial intelligence, technology