Researchers

K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Andrew Champlin
dance, visual art, participatory spectatorship, technique, music aesthetics
Mikael Charlie Bäckman
music, Music Education, musicology
Anders Pagels Jensen
electronic music
Hannah Clarkson
narrativity, care, shelter, artistic research, Sculpture, poetry, empathy, Medical Humanities
Mariske Broeckmeyer
music aesthetics, Migraine, Aesthetics of Failure, vocality
Marketa Kinterova
public space, performative walk, privately owned public space (POPS), participation, psychogeography
Xavier Mendik
Representations in cult and horror cinema, Images of terrorism in cult film traditions, Documentary film practices, Italian cinema and society, Culture and conflict in Canadian film
Jahrmann Margarete
game studies, artwork, artistic epistemology, digital art, neuroscience, activism
Ludgero Almeida
art, History, memory, Painting, Film-making
Hiba Masad
Storytelling, Printmaking, reading, belonging, Artistic reserach, public space, public art, libraries, archives, identity, Homeland, home, Pain, collective memroy
Narges Porsandekhial
writing as practice, socially engaged art, relational aesthetics, public art, drawing, poetry, text, Writing as artistic research, text-based, Institutional Crtique, research-creation
Natacha Oliveira Pinto
education, Information Science