Marsha Bradfield
dialogic art, Writing as artistic research, live projects, postartistic, useology, occupational realism
Hanns Holger Rutz
sound art, Installation Art, computer art, collaborative processes, digital art, Intermedia
Franziska Schroeder
embodied performance, digital performance, accessible technologies, inclusion, artificial intelligence, artificial Neural Networks
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Dumond Camille
artistic research, art, artschools, switzerland research community
Dawn Woolley
consumer culture, feminism, self-portraiture, still life, marxism
Helen Felcey
ceramics, Craft, design, Health, well-being, Buddhism
Helen Scarlett O'Neill
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Maarten Dillen
auto-ethnography, drawing, visual art, dialogue, artistic research, methodology, art education, PHOTOGRAPHY
Zornitsa Stoyanova
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin