Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Eduardo Gaspar Polo Baader
Early music, crossmodal correspondences, new music, contemporary music, traverso, french baroque, interdisciplinarity, transdiciplinarity
Oprescu Simina
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies