Vytautas Michelkevicius
post-photography, diagram, mapping, post-colonial, Media Arts, artistic research, artistic epistemology
Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Constantinos Miltiadis
architecture, virtual environments, real-time interaction, spatiotemporal environments, Spatial Audio, philosophy, game studies, virtual reality
Maia Navas
videoart, experimental film, Contemporary art
Ettore Cauvin
Classical Music, Clarinet, Interdisciplinarity, Performance, Performing Arts, Crossover, Ethnography, Nordic Music, Danish Folk Music, Sustainable performance, sustainable development, performance; re-enactment; landspace; site; environment;, embodiment, choreography and performance
Chiara Mu
performance art, visual art, intersectionality, Memory culture, embodied methodology, embodiment, risk, Care ethics, relational aesthetics
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio