Researchers
Åsa Unander-Scharin 
choreography, music, artistic research, robotic art, digital musical instruments, opera, opensoundcontrol, extended techniques
Elisabeth Schäfer 
deconstruction, Philosophy of the Body, Écriture féminine, Cixous, Derrida, Kristeva, Irigaray, Nancy, queer theory, Feminist Art, Feminist Philosophy, psychoanalysis, Butler, Freud, Laplanche, Theories of Embodiment, Theories of Subjectivation
Tanja Orning 
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Terhi Marttila 
digital art, digital literature, voice, electronic arts, Interactive Narratives, interactive art, interactive multimedia, games, Feminist Theory, sound art, migration
Jim Harold 
visual art, Poetry, Photography, Place Identity, Marginal landscapes, Contested Spaces and Histories
Helen Scarlett O'Neill 
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Fulya Uçanok 
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Hui Han Lui 
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
Vadim Keylin 
sound studies, sound art, partipation, digital culture, poetry, participatory art, participatory culture, creativity
Estefanía Díaz Ramos 
Soundart, Audiovisual, Cultural Studies, Sociology, creative writing, communication, community based art work
Leslee Smucker 
liminality, violin, contemporary music, Experimental music, theatre, prepared instruments
Riikka Maria Talvitie 
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity
Zornitsa Stoyanova 
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy
Nicola Visser 
Contemplative Dance Practice, Authentic Movement, Witnessing, Dance and Movement Improvisation, Thinking at the Edge, minor gesture, decolonial delinking, transformational infrastructure, community dance practice, eye practices
