Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Tove Dahlberg
opera performance, gender, agency, performance norms
Paula Guzzanti
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
Anouk Mirte Hoogendoorn
spectrality, more-than-human, fabulation, sociality, collectivity, neurodiversity, queer theory, neuroqueerness, anarchive, artistic research, radical pedagogy, stones, textures, process philosophy, materiality of language
Sabrin Hasbun
creative writing, performative writing, History, Palestine, autofiction, autoethnography
Michael Lukaszuk
computer music, new media art, Algorithmic Composition, post-digital, Instrumentality
Carl-Mikael Björk
performativity, queerness, narratives, posthumanism, post-qualitative inquiry, PHOTOGRAPHY, Early childhood education