Michael Kahr
jazz, Music history, music theory, popular music, artistic research
Henrik Frisk
Improvisation, HCI, Composition, Sound design, Music philosophy
Vahri McKenzie
Theories and practices of contemporary performing arts, Artistic research design and methodologies, Theories and practices of writing, Artistic responses to science and technology, Improvisation, collaboration and embodiment in creativity
Franziska Schroeder
embodied performance, digital performance, accessible technologies, inclusion, artificial intelligence, artificial Neural Networks
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Andrew Knight-Hill
Sound Art Sound-Space, electroacoustic music, electroacoustic composition
Mari Flønes
dance, education, a/r/tography, performative research, New Materialism, community dance, Diffractive methodology, performative inquiry, bodily learning, expanded choreography
Darnisha Daniel
Self-image, identity development, artistic research, youth, art, PHOTOGRAPHY
Ewa Łączkowska
Sociology, dance, Onto-epistemology, indigenous knowledge, STS, knowledge making, perception, somatic approach, arts-based research
P d Andrea
pubblic art, organic material, community art, plants based art, shadow and light, editorial and research, visual art, care dare share, visual culture
Affrica Taylor
environmental humanities, Multispecies ethnography, ecological ethics, Anthropocene, more than human worlds, decolonising knowledge, ecofeminism