Hanna Järvinen
dance;, dance history, performance, re-enactment, reconstruction, re-imaginations, epistemology, Authorship, Foucault, power structures, canonicity, stardom
Deniz Peters
expression, music, Ensemble, empathy, aesthetics, improvisation, gesture, timbre, emotions, intermediality, embodiment, phenomenology, beauty, listening, artistic epistemology
Joanne Scott
live media performance, intermediality, audio-visual, Practice-as-research, Practice Research, more than human, eco-art, ecology, artistic research, soundwalk, soundscape
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Mia Seppälä
public space, public art, accessibility; web images; alt text, performance; re-enacment; site; environment, constructions of public-ness, transcorporeal
Jamie Philbert
phenomonology, performance, martial arts, african cosmologies, african diaspora, Caribbean, Poetics of relation, poetics of knowledge, Embodied knowledge, embodied methodology, extrasomatic embodiment, Black Atlantic, futurism, Black Atlantic futurism