Michael Duch
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
Linda H. Lien
visual communication, community, place, identity, belonging
Livia Daza-Paris
haptic spatiality, Cold War-era, Attunement, forensis, Decolonizing methodologies, Skinner Releasing, The Political Disappeared, Poetic Testimony, more-than-human, Indigenous ways of knowing, Skinner Releasing Technique SRT, Poesis
Per Roar
Choreography, Performance studies, Trauma studies, Memory, Autoetnography, Composition, Fieldwork, Politics of representation, Artistic research
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Jessica Renfro
Participation, socially engaged art, new media art, practice-based research, digitality
Kamila Wolszczak
other than human, relational aesthetics, Artifacts, traces, speculative practice
Celine Lyng
songwriting, artificial intelligence, technology