Researchers

Richard Blythe
Jostein Gundersen
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Wouter Verschuren
Mikaela Oberg
Mark Tatlow
early music performance, early opera, embodied research, the musical event
Gian Luigi Biagini
Rik Lander
Debbie Straver
Anders Eggen
publishing, research communication, open science
Andrea Coyotzi Borja
Marte Johnslien
Rebecca Najdowski
New Materialism, New media, PHOTOGRAPHY, Video art, posthumanism, landscape
Monica Monin
Merja Ryöppy
Participatory theatre, Object theatre, improvisation, human-object relating, design process, participatory design
Alison Isadora
Music philosophy, notation, ecology, feminism, sound art, Sound
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Nasreen Larsson
Gard Heimly
Eva Calvo López
Mina Atanassova
Alevtina Theodora Parland
Yanbing Wu
Karl Salzmann
Soundart, Grammophonmusik, turntables, Soundsculpture, materiality, recording technique, Graphical scores
Ingar Zach
Emma Kerttula
Martín Mayo
Mirjam van Tilburg
art, artedu, teacher education, teacher training, Educational Turn, education
Alicia Lazaro Arteaga
George Kentros
Sergio Sánchez Perera
Kristian Byskov Rasmussen
Sabrina Sow
Jošt Franko
Franca Elisa (F.E.) van Strien
Veerle van Boom
Cristina Quesada Henares
Alam Hernández
Anna Clara Gurjão Matos
Riikka Maria Talvitie
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity
Britta Fluevog
Nilsu Göçer
Malgorzata Maria Trajkowska
Omkar Yadwad
Kateřina Klímová
Mirthe de Vries
Amber Gastel
Kristine Madland
Martina Madini
Susan Marshall
Davide Rizza
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