Joa Hug
experimental writing, unfinished thinking, embodied research, Body Weather, epistemology, methodology
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Jasmin Schaitl
performance, visual art, participatory arts, memory, haptics, installation