Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Holger Schulze
sound studies, sensory ethnography, anthropology, popular music, Media Arts, memes, Sound Design, sonic materialism, sounding art, soundscape, sound art, soundwalk, aural phenomenology, Aural Skills
daniela fantechi
experimentation, microphones, materiality, DIY, composition process, live electronics, drone music, instrumental technique, Instrumentality
Uwe Steinmetz
Jazz, postsecularity, religion and music, Lyricon, electroacoustic music
Livia Daza-Paris
haptic spatiality, Cold War-era, Attunement, forensis, Decolonizing methodologies, Skinner Releasing, The Political Disappeared, Poetic Testimony, more-than-human, Indigenous ways of knowing, Skinner Releasing Technique SRT, Poesis
Jean Penny
flute and electronics, electroacoustic music, performance, composition, musicology, artistic research
Jung-Jae Kim
contemporary music, free improvisation, cross-genre, collaboration
Polly Hember
modernism, twentieth century, visual culture, modernity, technology, cinema, modernist poetry, affect, pedagogy, queer theory, networks
Madelief van de Beek
scenography, Dramaturgy, Performance art, death culture, flowers, botanical material, feminism, Video art
Inês Azevedo
visual art, VISUAL CULTURE, museum studies, museum education, art education, Democracy and citizenship, social justice, ecologies, image archive