Carl Svensson
sound, music, History, narrativity, fenomenologia, pedagogy, epistemology
Simon Jon Andreasen
film, games, television, storytelling, virtual production, animation, storyworlds, worldbuilding, theater, narative, devising, comics
Darya Tsymbalyuk
plants, nonhuman, Displacement, repetition, multispecies, trace, migration
agnes villette
nuclear history, visual art, PHOTOGRAPHY, fiction, material ontology, toxicity, landscape photography, waste, Cold War-era
Juan Carrillo Rios
artwork, education, Indigenous Studies, Indigenous Languages, indigenous knowledge, Artes Visuais, medio ambiente, VIDEO, pintura
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
Hoai Tran
Fashion, architecture, history of perception, history, Design Thinking, design, materials
Stuart Slater
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme
Dorian Vale
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory