Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Vahri McKenzie
Theories and practices of contemporary performing arts, Artistic research design and methodologies, Theories and practices of writing, Artistic responses to science and technology, Improvisation, collaboration and embodiment in creativity
Karen Schiff
Agnes Martin, Pablo Picasso (early career), artistic research, word and image, studio practice
Anders-Petter Andersson
music, interactive art, interactive sound and music, multi-sensory environments, Tangible Interaction, sensorial interaction, Media Arts, relational aesthetics, Health
Edmund Hunt
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Jennifer Anyan
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Nikolaus Eckhard
capitalocene, futures, materiality, collaboration, socio-ecological transformation, soil
Evi Jägle
Deleuze, art, post-structuralism, film-philosophy, performance philosophy, Foucault, philosophy as art, Philosophy On Stage
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Zheng Kuo
Social science, philosophy, psychology, dance
Kateřina Maňáková
renaissance music, Renaissance Polyphony, Lute, intabulation, vihuela, voice
Martin Høybye
Songwriting, Arts-based Research, Ethnography, Embodiment, Phenomenology, Collaborative songwriting, Autoethnography, Methods development, Theories of artistic practice