Researchers
Cecilia Lagerström 
performance with a focus on site-creating and site-critical activities, physical performance training connected to directing and dramaturgy, decolonial aspects on place and body, walking art, performative writing
Lise Hovik 
theatre for early years, theater installation, art for the very young, art education, artistic reasearch, musical communication, affect, affective pedagogics, Becoming, rhythm language, improvisation, Participatory Art, play, posthumanism, New Materialism
Simon Gilbertson 
multiplicity, materialization, music, care, devices of sensing, the in visible society, cross-professional immersion, learning and change, transversality
Beate Körner 
psychosocial, normativity, Performance art, performative research, performance, transgression, artistic research, activism, collaborative processes, arts education, affect theory, care
Lenka Vesela 
Feminist Technoscience, Queer Ecologies, Synthetic Bodies, Synthetic Knowledges, Cyborg Becoming, Artistic Research, Anthropocene Feminisms, Anti-Toxic Action, Posthuman Feminisms, Material Feminisms
Camilla Carlsen 
Design Thinking, Human-machine-Interaction, User Experience, User Interface, psychology
Oprescu Simina 
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies
Tony Rabesca 
indigenous knowledge, Indigenous media, oral history, cultural memory, traditional knowledge, FILM
Izzy Monteiro Bühlmeier 
fashion design, creativity, Social science, political impact, Political Studies, socio-environmental research, Cultural Institutions, culture, textile making, texture, Language
Bruno Tagliasacchi Masia 
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
