Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Misha Penton
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Tyler Payne
feminism, art, feminist art, carnal sociology, feminist epistemology, video art, performance art, marxism, parasocial interaction theory, social media, advertising, gender performativity, social construction theory, intersectionality, instagram, intersectional feminism, commodity fetishizm
Kate McCallum
Art practice as research, linguistics, linguistic pragmatics, abstraction, mathematical thought, art and science, art and technology, artistic research, ethnography
Vidmina Stasiulyte
experimental aesthetics, sound embodiment, fashion alternatives, boundary artefacts, inclusion
Helen Roberts
historically informed performance, musicology, Music pedagogy, digital and personal technologies
Mira Sanders
cartography, narrative, art, architecture, drawing research, Cinematism
Uddipana Das
narrative, Storytelling, choreography and performance, dance improvisation, artistic research
Tomáš Moravec
urban space, intervention, transformation, residuals, heterotopia, empty space, public space, mataphore, terrain vague
Lenka Stepankova
artistic identity, depresentation, infrastructures of solidarity, post-studio, portraits, relational filmmaking, studio space