Hanns Holger Rutz
sound art, Installation Art, computer art, collaborative processes, digital art, Intermedia
Franziska Schroeder
embodied performance, digital performance, accessible technologies, inclusion, artificial intelligence, artificial Neural Networks
Daniel Hug
sound, sound studies, Sound Design, Design research, participatory design
Dumond Camille
artistic research, art, artschools, switzerland research community
Doris Ingrisch
gender and cultural studies, dialogue between art & science, history of science, arts based and experimental research methods
Darja Popolitova
new media art, post-internet, digital art, digital craft, Media Arts, tactility, tactile visuality, screen, Video art, jewellery, jewellery art
Johannes Maria Schmit
Regie-Theater (Directors’ theater), Consent, Actor, Director, Postdramatic Theater // Transference, Regie-Theater, actor training, transference, psychoanalysis, consent
Jordan Sand
double bass, improvisation, composition, process-based, penguin, Music philosophy, nomadism, breathing, voice, organ, hymn, violin, Collaborative Space
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Garrett Lynch IRL
networked art, networked performance, post-disciplinary practice, digital arts
E.Reynolds
alternative art schools, alternative pedagogies, de-centring spaces, conceptualising frameworks for artistic research, sites of participation, performative research tools, deep mapping.
Petra Widžová
curatorial research, Artist's estates, interdisciplinary research, Artist's studios