Danica Maier
Fine Arts, artistic research, textiles, drawing, music, installation, labour, repetition
Egle Oddo
performance, visual arts, vegetal biodiversity, installation, site responsive practices, Site-specific, photography
Fu Tian
rap music, new music, contemporary music
Hans Lennart Jonsäll
electroacoustic music, electronic music, live electronics, composition, Experimental music, sound art, synthesizers, Experimental musical instruments, modular synthesizers, spirituality, Religious Studies, free improvisation, improvisation
Anna Lorenzana
Image-based media;, computer interface history, archival art practice, Archival Research, power structures in the systematics of public administration, sculptural arts, archaeological imagnation, site-specific narratives, sculptural practice
Diana Ferro
poetry, improvisational scores, collective research in arts, Writing as artistic research, pedagogical research, self-publishing, painting-as-discourse, material based art
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
TAT KUEN KO
hauntology, Postmemory, artistic research, artistic practices, time, temporality
Dorian Vale
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory