Åsa Unander-Scharin
choreography, music, artistic research, robotic art, digital musical instruments, opera, opensoundcontrol, extended techniques
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Nora Rinne
performance art, live art, artistic research, children, childhood, verbatim, imitation
Illia Razumeiko
music theater, Composed Theatre, performance; re-enactment; landspace; site; environment;, performance; landscape; video; sound; installation
Melissa Ryke
Embodied listening, sound art, installation, contact improvisation, Video art, acoustic ecology, field recording, listening
Susi Mikael Nousiainen
performance, writing, collective research in arts, ballet, poetry, embodied writing, Comics, Theatre of the Oppressed, LARPing, social coexistence, organising, social media