Vahri McKenzie
Theories and practices of contemporary performing arts, Artistic research design and methodologies, Theories and practices of writing, Artistic responses to science and technology, Improvisation, collaboration and embodiment in creativity
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Emma WIlliams
historically informed performance, 19th century, violin, voice
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Marisa Godoy
dance, performance, generative practices, autoethnography, improvisation choreography, video annotation
Mafalda Deville
contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences
Johannes Maria Schmit
Regie-Theater (Directors’ theater), Consent, Actor, Director, Postdramatic Theater // Transference, Regie-Theater, actor training, transference, psychoanalysis, consent
Sheung Yiu
Hyperimage, computation, Computational Photography, algorithmic generation, PHOTOGRAPHY, photogrammetry, computer vision, remote sensing, Hyperreality, hyperobjects, New Materialism, ontology, Speculative Realism, AI (Artificial Intelligence), artistic research, multidisciplinary
Joanna Warsza
Public sphere, politics, activism, performativity, curatorial, feminism, politics of memory, Eastern Europe