Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Arild Berg
Action Research, Contemporary art, participation, participatory design, digital production techniques, participatory democracy, ceramics, digital production culture
Marsha Bradfield
dialogic art, Writing as artistic research, live projects, postartistic, useology, occupational realism
Catherine McKinnon
narrative, Climate Change, collaboration, fragmented narratives, future, feminism, creative practice, creative ecologies, creative writing, creative process, violence, unreliable narratives, braided narratives
Maud Haering
Caldara, singing, salterio, scialmo, chalumeau, cymbalum, Psalterium, Vienna, Oratorio
Dominik Schlienger
spatial interaction in music, art and technology, philosophy of technology, Spatial Audio
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Ana Miriam Rebelo
photography, architecture, public space, photobooks, visual culture, editorial design, design
Roman Štětina
ekphrasis, description, teaching artist, intermediality, sound, radio, moving image, media history