Klaus Hu
1: strata / geology / genealogy of history 2: the digital / the sensual / appropriation 3: landscape / the Anthropocene / conflicts on resources 4: escapism / sci-fi and narrative territories
Alex Nowitz
contemporary vocal performance art, voice, extended practice, improvisation and real-time composition, voice and live electronics, composition, composer-performer, politics of voice, philosophy of voice
Claudia Auer
architecture, art, dance;, research, art practice, architectural research
Matthew Noone
Performance studies, Music, ethnomusicology, arts-based research, phenomenlogy
Fiona MacDonald
art, artistic research, posthumanism, intra-action, animals, plants, ecology
Paula Guzzanti
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
Christoph Weber
Technosphere, Socio-ecological Transformation, degrowth, climate crisis, New Materialism, Agential realism, Concrete, posthumanism, social metabolism, deep time, intra-action, Sculpture, Photography
Francisca Skoogh
performance, western classical music, artistic research, psychology
Liesel Dom
performance; landscape; video; sound; installation, Information and communication, Socio-political activism, Internet, digital art, propaganda, philosophy as art, Documentary experimental, Myths, Belief
Jorge Boehringer
Spatial Audio, temporality, listening, phenomenlogy, Sculpture, notation, prehistory, music, composition, sonification, performance, electroacoustic music, interactive art, Data Sonification, philosophy, improvisation, Chance, contingency, indeterminacy
Roman Štětina
ekphrasis, description, teaching artist, intermediality, sound, radio, moving image, media history
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio