Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Markéta Dolejšová
Feral, more-than-human, multispecies, embodied, sensory, co-creation
Paula Kramer
contemporary outdoor movement practice, performance, landscape, daily life, resonance, environment
Benedict Olk
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Edit Kaldor
performance, theatre, Dramaturgy, spectatorship, participation, co-creation, documentary, pedagogy
Lisa Salamandra
figurative art, raw meat, taboos, nude, art, collage, artwork
Vanessa Ramos-Velasquez
Indigenous Studies, Cultural Studies, cultural heritage, cultural history and theory, environmental artistic research, environmental sciences, Media Arts, Anthropocene, artivism
Barbis Ruder
performance, body, sculpture, orthesis, prothesis, sports, medicine, interdisciplinary, art, body art, body of work, body of the performer, physiology, physicality, artistic research, Medical Humanities, medicine technic, interdisciplinarity, conjunction
Könemann Flora
sound, Listening space and electroacoustic diffusion, craft, somatic research, dance;, composition, free jazz, frequency, painting process, movement, trance, Colour, transition
Kobe Van Cauwenberghe
experimental music, improvised music, composition, relational musicology, applied research, music performance, music theory, music education, decoloniality, modernity
Timo Tähkänen
queer theory, art pedagogy, Care ethics, Aesthetics and Ethics, performance for camera, drawing, Installation Art, Drag, autobiography, Feminist Theory, visual art, Gender studies, listening, alter ego, love, camp, grotesque, queer, queer art, performance