Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
DÁNIEL PÉTER BIRÓ
composition, music aesthetics, Music analysis, Musical Cultures, Music philosophy, computer music, musicology, Judaic Studies, Spinoza, philosophy
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Sara Ekholm Eriksson
nature, bio, wood, forest, skog, labb, lab, konst, installation, video, projektion
Jean Beers
Music, phenomenology, music, composition, piano, performance, sound art, phenomenlogy, deconstruction, interpretation, analysis
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Lenka Stepankova
artistic identity, depresentation, infrastructures of solidarity, post-studio, portraits, relational filmmaking, studio space