Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Theodore Teichman
embodiment, environmental art, environmental sound, environmental stewardship, environmental artistic research, environmental humanities, environmental ethics, ecology, eco-art, ecocriticism, ecopsychology, artistic research, landscape, landscape art, land-art, Landscape.Body, sound art, soundwalk, soundscape composition, soundscape, psychogeography, psychoacoustics, phenomenology, materiality, vibrant matter, material perception, material ontology, body extended, performance, site, Site-specific, place, Place and time, placemaking, time, time based media, time ecology, Film-making, photographic practice
Greg Bruce
artistic research, electroacoustic music, improvisation, classical performance practice, saxophone, Augmented Instruments, analogue electronics, analogue vs digital, research-creation
Garrett Lynch IRL
networked art, networked performance, post-disciplinary practice, digital arts
Dániel Máté
home, design, ideology, Semiotics, nationalism, modernity
Kamila Wolszczak
other than human, relational aesthetics, Artifacts, traces, speculative practice
Celine Lyng
songwriting, artificial intelligence, technology
Fey (Faith) Harkey
Jungian Psychology, Authorship, Phenomenology, Artmaking, Fiction, Gifted/Talented