Researchers
Michel Roth 
music, games, indeterminacy, collaborative processes, interactive performance, artistic research, organology, music theory, sonification, transdiciplinarity, field recording, acoustic ecology, Actor network theory, soundscape studies, composition
Kersti Grunditz Brennan 
filmmaking, film editing, dancefilm, moving images, cinematic storytelling, Film studies, physical cinema, character development, collaborative practice
Nathalie S. Fari 
site-specific performance, performance documentation, video performance, performed photography, filmmaking, embodiment, agency
Linde Ex 
Artistic research, visual art, autoethnography, ecology, more than human worlds, multidisciplinary
Martin Scheuregger 
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Iselin Dagsdotter Sæterdal 
post-human, post-colonial, posthumanism, digital musical instruments, artography, Agential realism, agential cut, intra-action, intra-action New Materialism, New Materialism, experimentation, child as a musician, children, loop station, Live-electronics, live looping, rhizome, Assemblage, Musicking, arts-based research
Michael Lukaszuk 
computer music, new media art, Algorithmic Composition, post-digital, Instrumentality
Dorian Vale 
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory