Henrik Frisk
Improvisation, HCI, Composition, Sound design, Music philosophy
Johannes Kretz
Transculturality, composition, electroacoustic music, electronic music, Live-electronics, ethnomusicology, philosophy, philosophy as art, biology, mathematics, Physics
Charlotte Østergaard
costumes, artistic research, materiality, performativity, cotume, theater, performance, Design Thinking, co-creation, collaboration, Site-specific, listening, listening with costume, hosting, Textile art, material thinking, hospitality, ethics, research ethics, Design research
Jamie Savan
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Edmund Hunt
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Joshua Hale
creativity, arts-based research, interdisciplinarity, design, visual art, hybridity, art and environment, human centered design
Rachael Jones
experimental filmmaking tools, material methods, arts-based research, participation in filmmaking, sensuous knowledge, materialist filmmaking
Tim Sayer
Music Performance, improvisation, music cognition, live electronics, Music Psychology
Katja Münker
artistic research, Choreography, performance, somatics, walking art, Feldenkrais method, environmental artistic research
Anke Zijlstra
dance, art education, audiences, embodiment, public space, artistic research, participatory spectatorship
Claus Schöning
representational theories, life sciences, policy design, non-human, Nonrepresentational Theory
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation