Johan van Kreij
computer music, improvisation, electroacoustic music, live electronics
Alexandra Toland
urban ecology, multispecies urbanism, soil studies, site-specificity, air, environmental humanities, compost, relationality
Bjarni Gunnarsson
Algorithmic Composition, computer music, electroacoustic music, programming language
Georgios Varoutsos
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Olav Friisberg Larssen
Sound Design, music, PHOTOGRAPHY, FILM, Film-making, film score, film sound, design, wordpress, html, css, archiving, family archives, innovation, startup, food wasting, food apps
Dominik Schlienger
spatial interaction in music, art and technology, philosophy of technology, Spatial Audio
Greg Bruce
artistic research, electroacoustic music, improvisation, classical performance practice, saxophone, Augmented Instruments, analogue electronics, analogue vs digital, research-creation
agnes villette
nuclear history, visual art, PHOTOGRAPHY, fiction, material ontology, toxicity, landscape photography, waste, Cold War-era
Isabel Frey
ethnomusicology, Jewish Music, folk music, nationalism, yiddish, voice studies, sound studies, gender, minorities, diaspora, activism
Berit Seidel
surveillance, collectivity, Decolonial methods, Storytelling, Everyday Objects