Mike Croft
perception, drawing, artwriting, Painting, autofiction, drawing research, language-based practice
Cecilia Lagerström
performance with a focus on site-creating and site-critical activities, physical performance training connected to directing and dramaturgy, decolonial aspects on place and body, walking art, performative writing
Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Assi Karttunen
musical gesture, embodiment, historically informed performance, Performance studies, phenomenology
Anders-Petter Andersson
music, interactive art, interactive sound and music, multi-sensory environments, Tangible Interaction, sensorial interaction, Media Arts, relational aesthetics, Health
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Bjarni Gunnarsson
Algorithmic Composition, computer music, electroacoustic music, programming language
Alexandra Crouwers
ecology, Ecological Consciousness, science fiction, forest, digital art, digital cultures, speculative fiction, divination, technology, interspecies fictions, nonhuman perspective, experimental film, sound art, augmented reality, mixed reality, multispecies, natural science, digital space
Elina Akselrud
music, interpretation, interpretation analysis, collaboration, multidisciplinary, performance, performing arts, multidisciplinary art, Crossover, cross-disciplinary, cross-genre, musical expression, crossdisciplinary, crossdisciplinary art, scriabin, Chamber music, chamber ensemble
Garrett Lynch IRL
networked art, networked performance, post-disciplinary practice, digital arts
MARIA DARMOY
performance design, scenography expanded, Choreography, stage design, video installation; performance; landscape; environment;
Brett Ascarelli
Documentary storytelling, audio, instructions, scores, assignments, processes, media, documentary processes
Charlotte Riedijk
physical performance, body awareness, vocal studies, classical singing, musicality of movement for singers, mime, stage presence