Researchers
Torben Snekkestad 
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Lucia D'Errico 
music, post-structuralism, electronic music, video performance, graphic design, Deleuze, Derrida, performance, materiality, lacan, epistemology, sound, Speculative Realism, New Materialism, non-human, Algorithmic Composition, experimentation, machine
Christoph Solstreif-Pirker 
Anthropocene, trauma, political ecology, performative research, non-philosophy, ecofeminism, copoiesis, psychoanalysis, continental philosophy, architecture, space, environmental ethics, artistic research, Feminist Theory, art theory, psychotherapy
Martin Scheuregger 
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Joanna Warsza 
Public sphere, politics, activism, performativity, curatorial, feminism, politics of memory, Eastern Europe
derek pigrum 
visual art, Semiotics, philosophy, education, phenomenology, practice, process, Practice-as-research
Michal Lovecky 
digital worlds, metaverse, XR, virtual reality, transdiciplinarity, co-design, co-creation, ocean, immersive technologies, Immersion, marine science, collective action research, impact
Rut Karin Zettergren 
collective research in arts, technofeminism, cyberfeminism, future, speculative fiction, military heritage of technology, repurposing technology, reimagining
Luz Irene Moreno-García 
sound art, soundscape, aural art, Music Education, musicology, art psychology