Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Jostein Gundersen
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Justy Phillips
Publishing as art practice, artistic research, Writing as artistic research, more-than-human
Einar Røttingen
Music Performance, performance practice, musical expression, relation composer - performer, contemporary music, 2oth century music, notation, performers analysis, articulation, sound production, metaphors
Dion Star
process, process oriented practices, writing, material writing practices, film, trialogue, gestures, gesture, art, oulipo, flusser, pseudo writing
Paul Vickers
Sonification, auditory display, aesthetic experience, aesthetics of sound, aesthetics of sonification
Jennifer Anyan
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Thalia Hoffman
Video art, video performance, performance, politics, political aesthetics, politics of memory, phenomenology, embodiment, Sense
Ulvi Haagensen
artistic research, autoethography, drawing, performance, sculpture, installation, the everyday, blurring
D.A. Calf
sound, sonic materialism, Spatial Practice, archival practice, balkan history, french history, Language, serialisation, contested territories, Memory culture, memory politics, Sound Design, the quotidian, composition, memory, time studies, geology, archaeology
Rachel Horst
arts-based research; artistic research; narrative methodologies; futures literacies; digital humanities; posthumanism; new materialism;
Tony Rabesca
indigenous knowledge, Indigenous media, oral history, cultural memory, traditional knowledge, FILM
Tereza Reichová
roleplay, safe environment, psychosomatics, embodied learning, gestalt, pedagogical research, embodiment, constellations, documentary film, comic