Christian Doeller
error, interactive installation, agency, Noise, Human-machine-Interaction, digitalization, digitality, physical computing, sciart, transdiciplinarity, translation, transcriptions, Sculpture, DIGITAL IMAGING, prototyping, generative art
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Jennifer Anyan
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Hwa Young Jung
art, artistic research, socially engaged art, Social Practice, criminology
Jung-Jae Kim
contemporary music, free improvisation, cross-genre, collaboration
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Julia Fromm
Factual and Fictional Narration, Resilience, Performance art
Haris Adhikari
poetic inquiry, artistic research, artistic process, threshold concepts, spatiality, postcoloniality, creative pedagogies, qualitative research methods, Advaita as experience, post-qualitative inquiry
Olof Misgeld
music, folk music, dance, improvisation, traditional music, tradition, music theory, Music analysis
Michael Walde
commodity, commodity fetishism, hospitality, work, emotional labour, feminism, Marx, Situationism, advertisement, spectacle, consumption
Cecilia Carvalhal Braga de Andrade
Performance art, Queer studies, Wearable sculpture, Expanded cinema, Participatory art, Latin American art, Collective memory, Identity and embodiment, Gender studies