Researchers

Johan van Kreij
computer music, improvisation, electroacoustic music, live electronics
Andrew Bracey
Fine Art, Contemporary Curatorial Practice, Artist as curator, Painting, Parasitic tendencies of contemporary artists, appropriation, looking, attention, art and archives
Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Tijs Ham
sound art, instrument design, chaotic processes
Per Roar
Choreography, Performance studies, Trauma studies, Memory, Autoetnography, Composition, Fieldwork, Politics of representation, Artistic research
Andrew Knight-Hill
Sound Art Sound-Space, electroacoustic music, electroacoustic composition
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Richard Alsadi
Qanun performance, Middle East, Ancient instruments, extended techniques, Qanun, soundscape composition
Cecilie Michelle Le Divenah
production process, school
Edvin Østergaard
phenomenlogy, aesthetic experience, music composition
Eira Bjørnstad Foss
violin, curatorial practices, new music, sound art, performance
Corrado Cerutti
pedal, composition process, Guitar