Remco Roes
artistic research, dialogue, visual essay, space
vincent roumagnac
Anthroposcene, Deep Stage, Hyperdrama, Time Ecology, Artistic Research, Scenic Thinking, Reacclimatization, Contemporary art, Architecture, Scenographic Turn, Theatre Without Theatre, Skenomorphoses, Ecosophy
Casper Schipper
sound, computer music, programming, research catalogue, composition, coding
Electa Behrens
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Henrik Stensli
engineering, technology, design, CAD, 3D models, modeling and simulation
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Madelief van de Beek
scenography, Dramaturgy, Performance art, death culture, flowers, botanical material, feminism, Video art
Anke Zijlstra
dance, art education, audiences, embodiment, public space, artistic research, participatory spectatorship
Vadim Keylin
sound studies, sound art, partipation, digital culture, poetry, participatory art, participatory culture, creativity
Rut Karin Zettergren
collective research in arts, technofeminism, cyberfeminism, future, speculative fiction, military heritage of technology, repurposing technology, reimagining
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater