Researchers
Andrew Bracey 
Fine Art, Contemporary Curatorial Practice, Artist as curator, Painting, Parasitic tendencies of contemporary artists, appropriation, looking, attention, art and archives
Charlotte Østergaard 
costumes, artistic research, materiality, performativity, cotume, theater, performance, Design Thinking, co-creation, collaboration, Site-specific, listening, listening with costume, hosting, Textile art, material thinking, hospitality, ethics, research ethics, Design research
Edit Kaldor 
performance, theatre, Dramaturgy, spectatorship, participation, co-creation, documentary, pedagogy
David Rych 
migration, political aesthetics, politics of memory, political film, Anthropocene, migrant aesthetic, documentary, Documentary experimental, documentary film, document theory, Documentary storytelling, aesthetic journalism, Media Arts, media archeology
Evi Jägle 
Deleuze, art, post-structuralism, film-philosophy, performance philosophy, Foucault, philosophy as art, Philosophy On Stage
Fabian Chyle 
PERFORMANCE STUDIES, DANCE MOVEMENT THERAPY, COMMUNITY DANCE, ARTISTICE RESEARCH, Choreography
Liesel Dom 
performance; landscape; video; sound; installation, Information and communication, Socio-political activism, Internet, digital art, propaganda, philosophy as art, Documentary experimental, Myths, Belief
Jelena Škulis 
materiality, community, feminism, craftivism, textile, textuality, processualism, slowness
Nele Möller 
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Maria Peres 
ethnomusicology, music, feminism, art, ethics, humanitarian response, heritage, education, community, interculturality
Cindy Terpsma - de Schepper 
art based research, artistic research, art education, primair onderwijs, kunsteducatie
Pedro Pablo Cámara Toldos 
contemporary music, interdisciplinary performance, saxophone, extended techniques, concert setting
Joanna Staruch-Smolec 
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Michael Lukaszuk 
computer music, new media art, Algorithmic Composition, post-digital, Instrumentality