Researchers

Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Matthias Heyman
jazz, popular music, improvisation, jazz history, Jazz Studies, HIP, historically informed performance, artistic research, bass, double bass
Livia Daza-Paris
haptic spatiality, Cold War-era, Attunement, forensis, Decolonizing methodologies, Skinner Releasing, The Political Disappeared, Poetic Testimony, more-than-human, Indigenous ways of knowing, Skinner Releasing Technique SRT, Poesis
Elsa Kosmack Vaara
time, artistic research, culinary arts, transdiciplinarity, prototyping, sustainability, participatory culture, participatory design
Charlotta Ruth
repetition, liveness, documentation, ludic structures, choreography, participation, collaboration
Dominik Schlienger
spatial interaction in music, art and technology, philosophy of technology, Spatial Audio
Garrett Lynch IRL
networked art, networked performance, post-disciplinary practice, digital arts
Archie Reid
posthuman, queer, art process, art, synesthesia, perception, process, media, technology
Anke Zijlstra
dance, art education, audiences, embodiment, public space, artistic research, participatory spectatorship
Bamdad Khoshghadami Hosseini
musicology, Music Education, artistic research
Ana Sofia Ribeiro
Ecology, wilderness, anti-aesthetics, materiality, Anthropocene
Gurcharanjit Singh Matharu
Electric Guitar, Music philosophy, Music Education, Music Aesthetics
Eleonora Gasparini
unlearning, performative practice, participatory arts