Luc Döbereiner
music, aesthetics, technology, sound art, materiality, composition
Annette Arlander
artistic research, performance as research, performing with plants, moving image, video, landscape, environment, ecology, new materialism, performance art
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Jim Harold
visual art, Poetry, Photography, Place Identity, Marginal landscapes, Contested Spaces and Histories
Edit Kaldor
performance, theatre, Dramaturgy, spectatorship, participation, co-creation, documentary, pedagogy
Edmund Hunt
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Carmen Raffaela Küster
circus, performance, design thinking, aerial acrobatics, Body Mind Soul, body & object relationship, nature, trees
Ulvi Haagensen
artistic research, autoethography, drawing, performance, sculpture, installation, the everyday, blurring
Jacek Smolicki
field recording, soundwalking, para-archiving, soundscape, mapping, experimental cartography, personal archiving, acoustic ecology, psychogeography
Nele Möller
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Polly Hember
modernism, twentieth century, visual culture, modernity, technology, cinema, modernist poetry, affect, pedagogy, queer theory, networks
Luiz Zanotello
transmedia, translation, new materialisms, poetics, language, distance, affect, ecology, time, auto-ethnography, post-colonial, site-specificity
Michal Lovecky
digital worlds, metaverse, XR, virtual reality, transdiciplinarity, co-design, co-creation, ocean, immersive technologies, Immersion, marine science, collective action research, impact
Natan Alberca
aesthetic experience, embodied cognition, animation 2D and music explore, sense perception, meditative process, etching, Video art, video game
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology