Deniz Peters
expression, music, Ensemble, empathy, aesthetics, improvisation, gesture, timbre, emotions, intermediality, embodiment, phenomenology, beauty, listening, artistic epistemology
Tyler Payne
feminism, art, feminist art, carnal sociology, feminist epistemology, video art, performance art, marxism, parasocial interaction theory, social media, advertising, gender performativity, social construction theory, intersectionality, instagram, intersectional feminism, commodity fetishizm
Tom Blancarte
double bass, improvisation, Actor network theory, translation, Language, AI, second-order systems, game studies, game-pieces, role-play, RPGs, metroidvania, platformers
Hermans Carolien
play;, dance improvisation, enactive cognition, participatory-sense making, affects, touch, transformation, inter corporality
Georgios Varoutsos
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Liv Kristin Holmberg
music, music aesthetics, music theater, Performance art, Theology, philosophy, ritual, ritual art, crossdisiplinary, Norwegian Artistic Research Programme, utopia, sound art, public art, Religion
Ella Raidel
Experimental Cinema, Contemporary Aesthetics, Contemporary Art, Interdisciplinary Research Urban Studies, East and Southeast Asian Cinema, Sinophone Cinema, Nonfiction Cinema, Documentary Film
D.A. Calf
sound, sonic materialism, Spatial Practice, archival practice, balkan history, french history, Language, serialisation, contested territories, Memory culture, memory politics, Sound Design, the quotidian, composition, memory, time studies, geology, archaeology
Marina Grzinic
necropolitics, colonial memory, aesthetics, technology, community, artistic research
Rachel Carney
poetry, art, museum, Museum Art, creative writing, History
Jessica Renfro
Participation, socially engaged art, new media art, practice-based research, digitality
Inge Kengen
performance, belonging, identity, installation, artscience
Matthew Kaner
composition as research, adaptation, narrative, Practice Research
Heper Sayar
Artificial Intelligence (AI), non-human, Techno Arts, psychology of perception, Visual Perception, Human-machine-Interaction