Lise Hovik
theatre for early years, theater installation, art for the very young, art education, artistic reasearch, musical communication, affect, affective pedagogics, Becoming, rhythm language, improvisation, Participatory Art, play, posthumanism, New Materialism
Johannes Kretz
Transculturality, composition, electroacoustic music, electronic music, Live-electronics, ethnomusicology, philosophy, philosophy as art, biology, mathematics, Physics
Sarah Black
Family-art making, ethics, Maternal Ethics, Installation Art, dance, Feminist Ethics
Behzad Khosravi Noori
Contemporary art, contemporary history, Film-making, micro-histories, autoethnography, politics of representation, colonial memory, Global South
Constantinos Miltiadis
architecture, virtual environments, real-time interaction, spatiotemporal environments, Spatial Audio, philosophy, game studies, virtual reality
Ieva Baltrenaite
art, artistic research, design, clothes, Sociology, memory, Memory culture, anthropology, fashion, fashion design, fashion practice research, fashion creativity, fashion making, History, performing arts, Contemporary art
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music
Juan Carrillo Rios
artwork, education, Indigenous Studies, Indigenous Languages, indigenous knowledge, Artes Visuais, medio ambiente, VIDEO, pintura
Saniya Jafri
interaction design, food studies, food design, colonialism, memory practice, archive as creative practice, practice-based research
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio