Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Helen Kindred
embodiment, improvisation, dance, Dance education, performance
Jamie Savan
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
DÁNIEL PÉTER BIRÓ
composition, music aesthetics, Music analysis, Musical Cultures, Music philosophy, computer music, musicology, Judaic Studies, Spinoza, philosophy
Sara Gomez
Political Studies, visual art, choreography and performance, philosophy
Adolfo Ruiz
practice-based research, animation, community based art work, participatory design, artistic research, indigenous knowledge
Rania Ghazali
animation, motion design, illustration, visual art, drawing
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
Inês Azevedo
visual art, VISUAL CULTURE, museum studies, museum education, art education, Democracy and citizenship, social justice, ecologies, image archive