Researchers

Timo Menke
visual art, materiality
Olof Halldin
Artistic Research
Lene Grenager
Composition, Improvisation
Jennifer Anyan
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Rachael Jones
experimental filmmaking tools, material methods, arts-based research, participation in filmmaking, sensuous knowledge, materialist filmmaking
Britta Benno
artwork, artistic research, drawing, Printmaking, hybrid media, hybrid drawing, extended techniques, worlding, ruinenlust, posthuman, landscape depicting, dystopic art
Wei-Ya Lin
artistic research, ethnomusicology, indigenous music, Indigenous Studies, indigenous knowledge, Taiwan, Music Education, transdiciplinarity, auditory ontology, composition process, curatorial practices
Stuart Whipps
art, PHOTOGRAPHY, FILM, History, Sociology
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Piergiorgio Pirro
music, jazz, digital musical instruments
Jelena Škulis
materiality, community, feminism, craftivism, textile, textuality, processualism, slowness
Felipe Pinto San Martín
Espacio Público, dibujo, normatividad, humor, escritura
Jamie Philbert
phenomonology, performance, martial arts, african cosmologies, african diaspora, Caribbean, Poetics of relation, poetics of knowledge, Embodied knowledge, embodied methodology, extrasomatic embodiment, Black Atlantic, futurism, Black Atlantic futurism
Orlando Vieira Francisco
Climate Change, social movements, Infrastructural critique, institutional critique
P d Andrea
pubblic art, organic material, community art, plants based art, shadow and light, editorial and research, visual art, care dare share, visual culture
Lars Kristian Røssell Takeuchi Kynde
Microtonality, Perception and Consciousness, synaesthesia, instrument design, Post-digital., composition, Music Notation, sense perception