Researchers

Aslaug Nyrnes
artistic research and rhetorics
Eric Souther
Code, toolmaking, new media art, New Materialism
Emma WIlliams
historically informed performance, 19th century, violin, voice
Livia Daza-Paris
haptic spatiality, Cold War-era, Attunement, forensis, Decolonizing methodologies, Skinner Releasing, The Political Disappeared, Poetic Testimony, more-than-human, Indigenous ways of knowing, Skinner Releasing Technique SRT, Poesis
Darja Popolitova
new media art, post-internet, digital art, digital craft, Media Arts, tactility, tactile visuality, screen, Video art, jewellery, jewellery art
Nicolau Centola
Soundart, soundscape, sound
John Cussans
science fiction, anthropology, artistic reasearch, art theory, critical theory, social psychology, Haiti, Vodou, decolonialism, horror, alterity, psychoanalysis, British Columbia, Northwest Coast First Nations, surrealism, diagrams, Ghetto Biennale, colonialism
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Erlend Stenersen Sæth
ntnu, interaction design
Emma Margetson
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Kobe Van Cauwenberghe
experimental music, improvised music, composition, relational musicology, applied research, music performance, music theory, music education, decoloniality, modernity