Researchers

Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Nicole De Brabandere
Affect; Embodiment; Experimentation; Media and Material Practice
Karst de Jong
Music Theory, Improvisation, Harmony, Analysis, Composition, (collaborative) Creation
Lise Hovik
theatre for early years, theater installation, art for the very young, art education, artistic reasearch, musical communication, affect, affective pedagogics, Becoming, rhythm language, improvisation, Participatory Art, play, posthumanism, New Materialism
Danny Butt
research methods, artistic research, Settler Colonialism, Platforms, Neoliberal Aesthetics, History of Universities, methodology
Katrina Brown
choreography, drawing, documentation, contemporary arts, hybrid practice, horizontality, artistic research
Hedvig Jalhed
opera, music drama, dramaturgy, interaction, immersion, voice, vocality, singing
Rémy Bocquillon
Sociology, sound, space
Svein Petter Knudsen
technology, open source
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Anna Eline Thømt Roksvåg
design, drawing, study, school
christian scott
participatory design, cities, play, place
Jessica Renfro
Participation, socially engaged art, new media art, practice-based research, digitality
Ettore Cauvin
Classical Music, Clarinet, Interdisciplinarity, Performance, Performing Arts, Crossover, Ethnography, Nordic Music, Danish Folk Music, Sustainable performance, sustainable development, performance; re-enactment; landspace; site; environment;, embodiment, choreography and performance
Sara Simionato
Music Composition, embodiment, singing
Martin Høybye
Songwriting, Arts-based Research, Ethnography, Embodiment, Phenomenology, Collaborative songwriting, Autoethnography, Methods development, Theories of artistic practice
Anthea Caddy
sound, energies, atmospheres, installation art, site responsive practices
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism