Misha Penton
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Hwa Young Jung
art, artistic research, socially engaged art, Social Practice, criminology
Emmi Kujanpää
Folk singing, art-based research, transnationalism, Gender and Music, politics, Balkans, Folklore Studies, ethnomusicology, Finno-Karelian folk singing, Bulgarian folk singing, intersectional feminism, artivism, feminist art, composing, pedagogical research
Pedro Alegria
algorithms, Algorithmic Art, stochastic, epistemology
Saman Samadi
composition, ethnomusicology, experimental music, persian music, poststructural theory, music notation, aesthetic of modernism and postmodernism, performance practice of new music, music and identity, conceptual history, continental philosophy, deleuze, complexity, linguistics, semiotics
Maud Haering
Caldara, singing, salterio, scialmo, chalumeau, cymbalum, Psalterium, Vienna, Oratorio
Darren O'Brien
counter cartography, Walking Art; Social Art Practice; Perfromance & Artistic Intervention, walking art, mapping, psychogeography, drawing research, Sculpture, Writing as artistic research
Xavier Mendik
Representations in cult and horror cinema, Images of terrorism in cult film traditions, Documentary film practices, Italian cinema and society, Culture and conflict in Canadian film
LM Sanchez Cardona
transdiciplinarity, new media art, digital art, socially engaged art, antropocene, sound art, ethnography, philosophy as art, Beckett
Hui Han Lui
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
Stijn Brinkman
space and body, violin, curatorship, mirror, participatory arts, performance, performance; re-enactment; landspace; site; environment;
Sebastian Ruiz Bartilson
insurrectionary movements, Pornography, homoart, hiv, Not-knowing, swedish indocrination, ritualisation, psicomagic, human potential, meditation, somatics, somatic approaches, choreography and performance, choreographic thinking, antiethics, techno, cuerpos disruptivos, disidencias sexuales
Stuart Slater
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme