Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Barbara Lueneburg
Instrumental Performance Studies, Participatory Art, Authorship, Collaboration, Methodology, Embodiment, Artistic Research
James Wood
Literature, music, aesthetics, postcolonialism, Decolonizing methodologies, phenomenlogy
Pavlos Kountouriotis
live art, Performance art, Pain, altered states of consciousness, Choreography, law, queer theory, continental philosophy, systemic art, surrender, philosophy, body in performance, practice-as-research
Julia Fromm
Factual and Fictional Narration, Resilience, Performance art
Oprescu Simina
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies
Martin Høybye
Songwriting, Arts-based Research, Ethnography, Embodiment, Phenomenology, Collaborative songwriting, Autoethnography, Methods development, Theories of artistic practice
Olivia Penrose Punnett
alternative knowledge, TechnologyCulture, feminism, intuition, female gaze, magical thinking, Decolonizing methodologies
Eléonore Bak
ART ARCHITECTURE, Soundart, artistic research, soundscape, sound to symbol, ambiance, drawing research