Matthias Heyman
jazz, popular music, improvisation, jazz history, Jazz Studies, HIP, historically informed performance, artistic research, bass, double bass
Elisabeth Schäfer
deconstruction, Philosophy of the Body, Écriture féminine, Cixous, Derrida, Kristeva, Irigaray, Nancy, queer theory, Feminist Art, Feminist Philosophy, psychoanalysis, Butler, Freud, Laplanche, Theories of Embodiment, Theories of Subjectivation
Mark Tatlow
early music performance, early opera, embodied research, the musical event
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Jim Harold
visual art, Poetry, Photography, Place Identity, Marginal landscapes, Contested Spaces and Histories
Andrew Knight-Hill
Sound Art Sound-Space, electroacoustic music, electroacoustic composition
Pavel Prokopic
Film Aesthetics, Film Performance, Film Ontology, Cinematography, Experimental Film, Art Cinema, Fiction Film Directing, Affect theory, Film Semiotics
Sergej Tchirkov
artistic research, contemporary music, collaborative spaces, Shared Space
E.Reynolds
alternative art schools, alternative pedagogies, de-centring spaces, conceptualising frameworks for artistic research, sites of participation, performative research tools, deep mapping.
Raf Brouns
Music Education, music theory, Musical Cultures