Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Pavlos Kountouriotis
live art, Performance art, Pain, altered states of consciousness, Choreography, law, queer theory, continental philosophy, systemic art, surrender, philosophy, body in performance, practice-as-research
Corey Mwamba
music, improvised music, phenomenology, Practice-as-research, musicology
Mafalda Deville
contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences
Maria Peres
ethnomusicology, music, feminism, art, ethics, humanitarian response, heritage, education, community, interculturality
Könemann Flora
sound, Listening space and electroacoustic diffusion, craft, somatic research, dance;, composition, free jazz, frequency, painting process, movement, trance, Colour, transition
Diana Ferro
poetry, improvisational scores, collective research in arts, Writing as artistic research, pedagogical research, self-publishing, painting-as-discourse, material based art
Heper Sayar
Artificial Intelligence (AI), non-human, Techno Arts, psychology of perception, Visual Perception, Human-machine-Interaction
Olivia Penrose Punnett
alternative knowledge, TechnologyCulture, feminism, intuition, female gaze, magical thinking, Decolonizing methodologies