Researchers

Esa Kirkkopelto
performance philosophy, performer training, post-structuralism, posthumanism, Contemporary performance, artistic research, methodology
Franziska Schroeder
embodied performance, digital performance, accessible technologies, inclusion, artificial intelligence, artificial Neural Networks
Udo Maria Fon
perception, cognition, field of perception, rooms of perception, information rush, digitality, poetry, data entity, dada, dataism, social entropy, social resonance, metacognition
Tove Dahlberg
opera performance, gender, agency, performance norms
Tor Einar Bekken
music, improvisation
Thomas Robert Moore
new music, Conducting, artistic research
Liz Rech
movement, social movements, aktivism, affect, choreography and performance
Elina Akselrud
music, interpretation, interpretation analysis, collaboration, multidisciplinary, performance, performing arts, multidisciplinary art, Crossover, cross-disciplinary, cross-genre, musical expression, crossdisciplinary, crossdisciplinary art, scriabin, Chamber music, chamber ensemble
Pablo Devigo
Conducting, Basso Continuo, harpsichord
Maíra Woloszyn
design, typography, type design, editorial design
Håkon Sandmo Karlsen
PHOTOGRAPHY, VIDEO, sound, music
Riikka Maria Talvitie
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity
TC
Lenka Stepankova
artistic identity, depresentation, infrastructures of solidarity, post-studio, portraits, relational filmmaking, studio space
Dorian Vale
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory