Mick Wilson
necropolitics / political community with the dead, foodways and political imaginaries, rhetorical form & method discourse in knowledge conflict
Arild Berg
Action Research, Contemporary art, participation, participatory design, digital production techniques, participatory democracy, ceramics, digital production culture
Barbara Macek
poetics, biophilosophy, transdiciplinarity, interspecies relationships, poetry, medical history, medical humanities, autoimmunity, pain, existential philosophy, psychoanalysis, memory, nothingness, time
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Oprescu Simina
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Helena Persson
sound art, sound art installations, site specific artwork, spatial art, sound composition, listening
Abla Mohamed Abd El Naby
Practice-as-research, sound, soundscape, Soundart, practice based research, performance, Performance art, Installation Art, media, media theory, Film studies