Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Jostein Gundersen
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Andrew Bracey
Fine Art, Contemporary Curatorial Practice, Artist as curator, Painting, Parasitic tendencies of contemporary artists, appropriation, looking, attention, art and archives
Sarah Black
Family-art making, ethics, Maternal Ethics, Installation Art, dance, Feminist Ethics
JULIE MARSH
Site-specific, space, moving image, site, site-integrity, representation, performance
Liv Kristin Holmberg
music, music aesthetics, music theater, Performance art, Theology, philosophy, ritual, ritual art, crossdisiplinary, Norwegian Artistic Research Programme, utopia, sound art, public art, Religion
Alexandra Crouwers
ecology, Ecological Consciousness, science fiction, forest, digital art, digital cultures, speculative fiction, divination, technology, interspecies fictions, nonhuman perspective, experimental film, sound art, augmented reality, mixed reality, multispecies, natural science, digital space
Antoine Chessex
Sound Studies, sound art, artistic research, Cultural Studies, transdiciplinarity
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology