Researchers
Annette Arlander 
artistic research, performance as research, performing with plants, moving image, video, landscape, environment, ecology, new materialism, performance art
Eugene A. Kim 
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Jostein Gundersen 
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Michael Duch 
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
Jackel Chow 
FILM, narration, Directing, Storytelling, improvisation, virtual camera, visualisation, 3D animation, digital art
Michael O'Connor 
choreography and performance, cognitive neuroscience, material engagement, metaphor
Monica Clare van der Haagen-Wulff 
Postcolonial Studies, Critical Race Theory, Gender and Queer Studies, Migration, Intersectionality, Postcolonial/Decolonial Feminist Theories and Methodologies, Globalisation, Global Cities, Affect Theories, Performance Studies, Theories of Embodiement, Fictocritical Writing, Critical Heritage und Historical Memory Studies.
Andrea Moneta 
Spatial Practice, site-specific performance, architecture, heritage, virtual worlds, metaverse, urban design, participatory design
Ieva Baltrenaite 
art, artistic research, design, clothes, Sociology, memory, Memory culture, anthropology, fashion, fashion design, fashion practice research, fashion creativity, fashion making, History, performing arts, Contemporary art
Bruno Tagliasacchi Masia 
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
Xiaoou Ji 
Artistic research, Philosophy of technology, Critical-experimental game design, Installation Art, Meaningful play
