Mick Wilson
necropolitics / political community with the dead, foodways and political imaginaries, rhetorical form & method discourse in knowledge conflict
Deniz Peters
expression, music, Ensemble, empathy, aesthetics, improvisation, gesture, timbre, emotions, intermediality, embodiment, phenomenology, beauty, listening, artistic epistemology
Christoph Brunner
Media Arts, affect, politics, activism, research-creation, Media studies, Cultural Studies, postcolonial/decolonial theories, Gender studies, Aesthetics and Theory of Arts
Mia Engberg
Silence, darkness, cinema, feminism, punk rock, buddhism
Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Helen Kindred
embodiment, improvisation, dance, Dance education, performance
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Bjarni Gunnarsson
Algorithmic Composition, computer music, electroacoustic music, programming language
Ekaterina Butorina
BCI, sensors, AI, space, data, design, recording, landscape, architecture
Joanna Magierecka
participatory strategies in art, theater installation, Performance art, Contemporary art
Fabian Chyle
PERFORMANCE STUDIES, DANCE MOVEMENT THERAPY, COMMUNITY DANCE, ARTISTICE RESEARCH, Choreography
Stefania Castelblanco Perez
Through practice and research, I investigate the relation between sustainability, material availability, traditional craft techniques and the role of collective, ecological and cultural resistance in craft processes
Harry Matthews
composition, artistic research, Noise, Soundscapes, field recording, trespass