Matthias Heyman
jazz, popular music, improvisation, jazz history, Jazz Studies, HIP, historically informed performance, artistic research, bass, double bass
Luis Miguel Delgado Grande
music theory, composition, Semiotics, representational theories, Nonrepresentational Theory, soundscape, sound art
Carlos Roos
metaphysics, global music, phenomenology, film, performance, critical theory
Nele Möller
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Archie Reid
posthuman, queer, art process, art, synesthesia, perception, process, media, technology
Alexander Lindman
Acting for screen and social media, Acting, Acting on social media platforms, What is the actor's role in the age of social media, Mime acting, Stunt acting, physical theatre, The social media actor, Deneurotypicalize acting technique, Deneurotypicalize, neurodiversity, ADHD, adhd actor, Mime, Stunt, ADHD acting, Social media, social media actor, Social media Acting, Deneurotypicalized Acting, ART, Entertainment, PerspART, NewART, AutoART
Stijn Brinkman
space and body, violin, curatorship, mirror, participatory arts, performance, performance; re-enactment; landspace; site; environment;
Maarten Dillen
auto-ethnography, drawing, visual art, dialogue, artistic research, methodology, art education, PHOTOGRAPHY
Kamila Wolszczak
other than human, relational aesthetics, Artifacts, traces, speculative practice
Kobe Van Cauwenberghe
experimental music, improvised music, composition, relational musicology, applied research, music performance, music theory, music education, decoloniality, modernity
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality
Chiara Mu
performance art, visual art, intersectionality, Memory culture, embodied methodology, embodiment, risk, Care ethics, relational aesthetics