David Gorton
composition, artistic research, contemporary music, Early music, collaboration, Performance analysis, co-creation, experimentation, Practice Research, subjectivity
Christian Doeller
error, interactive installation, agency, Noise, Human-machine-Interaction, digitalization, digitality, physical computing, sciart, transdiciplinarity, translation, transcriptions, Sculpture, DIGITAL IMAGING, prototyping, generative art
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Maria Peres
ethnomusicology, music, feminism, art, ethics, humanitarian response, heritage, education, community, interculturality
Eduardo Gaspar Polo Baader
Early music, crossmodal correspondences, new music, contemporary music, traverso, french baroque, interdisciplinarity, transdiciplinarity
Ana Miriam Rebelo
photography, architecture, public space, photobooks, visual culture, editorial design, design
Michal Lovecky
digital worlds, metaverse, XR, virtual reality, transdiciplinarity, co-design, co-creation, ocean, immersive technologies, Immersion, marine science, collective action research, impact
Laureen Mahler
making, practice-led research, interdisciplinarity, origami tessellations, folding, materiality, entanglements, dynamic space, visuality of making, sustainability, perception
Tony Rabesca
indigenous knowledge, Indigenous media, oral history, cultural memory, traditional knowledge, FILM