Researchers
Misha Penton 
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Paula Guzzanti 
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
Matthew Galea 
Sculpture, Cross Media Systems, Mixed Reality Systems, Sound Art, Sound Sculpture, Social Sculpture, Hybrid Interfaces and Interaction Modalities, Interactive Art Practice, Artificial Consciousness, Human Computer Interaction, Machine Awareness, Alternative Platforms and Archives., Tattoo
Zubin Kanga 
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Sigrid Espelien 
clay, soil, landscape, leire, jord, landskap, situert kunnskap, blåleire, tegl, jording, kunsthåndverk, keramisk kunst, brukskunst
Benjamin Fox-Rosen 
ethnomusicology, Musical Cultures, jewish studies, Yiddish, Shoah, memorials, Minority language, folk music, nationalism
Hayley Whelan 
Walking Art; Social Art Practice; Perfromance & Artistic Intervention, walking practice, walking art, Writing as artistic research, practice-led research, PHOTOGRAPHY, darkroom photography, Film-making, collage, walking, cities, Scotland, research
Isabel Frey 
ethnomusicology, Jewish Music, folk music, nationalism, yiddish, voice studies, sound studies, gender, minorities, diaspora, activism
Rah Eleh 
counter-futurism, ethnic-futurism, Contemporary art, liminal experiences, diaspora, nationalism, queer theory, intersectionality, feminism, postcolonial/decolonial theories, videoart, Installation Art, performance, digital art
Bruno Tagliasacchi Masia 
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
