The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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Standing Through Centuries: A Historical Study of Flute Playing Posture from the 18th Century until today (2025) Mischa Marx
Body posture is one of the most important topics in flute playing, it has been important for a long time. How should we actually stand and what is exactly right and wrong? Over the years, much has changed in music, which greatly impacts how we as musicians move and stand. Is what your teacher told you, the same as flute teachers ages before told there students?
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ARKADIA (2025) Anne Skaansar
Med utgangspunkt i kunstneriske framstillinger av Arkadiamotivet, og med pastoralen som optikk, vil dette prosjektet utforske «utopiske» forestillinger om fortiden, gjennom arbeid i ulike kunstneriske uttrykksformer, i tekstil, skulptur og tekst.
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Best Practices in Integrating Research, Development and Creative Activities into Teaching. Stories of R&D projects at Pallas University of Applied Sciences (2025) Kadi Pajupuu
Presentation at the seminar at Pallas UAS (28.11.2024) Best Practices in Integrating Research, Development and Creative Activities into Teaching. Stories of R&D projects by Kadi Pajupuu, Textile Department
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The blue of fhe far distance : An exploration of escapism and the impossibilities of its photographic rendering (2025) Emilia Martin
Thesis of the Royal Academy of Art, The Hague, 2022 Master Photography & Society This thesis is an exploration of escapism, of clashes between the everyday and the sublime, of the concept of stargazing, human connection with stars, escapism and fiction. It is a thinking process behind creating a body of visual photographic work while also an individual set of reflections and arguments around the themes of stargazing, astronomy, photographic representations, darkness, and personal experiences. Through the photographic encounters and meetings with creators of hand-crafted planetariums, planetarium guides, star gazing passionates, amateur and professional astronomers and astrophotographers I follow the theme of stargazing, and through that fascination – the concept of positive escapism. With the use of photographic processes I document, I stage, I manipulate the images. This thesis results from my desire to challenge prominent binary narratives and welcome an act of speculation, of poetry, of reimagining andreclaiming realities.
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The Tropical Trauma Misery Tour: Dissecting the ambivalent dynamic of the networked image through an artisticpractice : Reframing Jair Bolsonaro’s media presence (2025) Rafael Franceschinelli Roncato
Thesis of the Royal Academy of Art, The Hague, 2022 Master Photography & Society Welcome to the TROPICAL TRAUMA MISERY TOUR. I invite you to take this tour through aroofless theater called media, the stage representing the farce and media opportunism ofthe Brazilian president and far-right populist, Jair Messias Bolsonaro—The Myth.In 2018, Bolsonaro was stabbed during a presidential rally campaign. Against a backdrop ofpolarization, micro-narratives, and misinformation,The Mythstarred in an online politicalcampaign where he had complete control over his narrative and self-presentation. This tourinvestigates how the ambiguity of the stabbing event exposes the network propaganda in theBrazilian political game.Through a speculative documentary photography practice, this piece overcomes the politicalillusions and dissemination of nonprogressive values of digital populists. The fictionalizationof the real is a form of resistance towards such ideological shams and manipulations. Itdevolves into a meta-play, a farce within a farce.
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The Trauma of Looking : Readings and Counter-readings of the representation of femicides in the Greek mainstream media (2025) Dafni Melidou
Thesis of the Royal Academy of Art, The Hague, 2022 Master Photography & Society The "Trauma of Looking: Readings and Counter-readings of the representation of femicides in theGreek mainstream media" is a work that aims to decode the narrative strategies used by the Greekmainstream media to report sensitive topics related to gender inequalities and gender-basedviolence. In this work I explore the tropes and the effects of media cannibalism, a term which I havecoined and it will be explained further in the text, through the lens of intimate femicides - aphenomenon which has recently entered the wider public discourse in Greece. There is a need frommainstream media to commercialize such crimes and exploit personal dramas. They are treatingreal-life stories as a spectacle, as another true-crime series ready to be consumed by the audience.This globalized "life-as-spectacle" approach, which goes beyond Greece, transmutes our collectivemoral principles into a new culture where violence is always legitimized and thus is made acceptablein society.
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