The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

recent activities <>

Evolution (2024) Zoe Panagiota (aka Betty) Nigianni
"New ideas might be conceived and developed more rapidly in disciplines that are more abstract. The inductive methods of experimental innovators in painting makes their enterprise resemble the more empirical disciplines considered by psychologists, while the deductive approach of the conceptual innovators makes theirs resemble the more abstract disciplines." David W. Galenson, "The Life Cycles of Modern Artists", NBER Working Paper Series, 2003. My use of the diagram and the image aims to convey the simple message that art strives for evolution; meaning to strengthen the mind, to research capabilities, to communicate a disinterested, though not necessarily apolitical, view of social changes, to overcome banality and offer an alternative way of looking at the world.
open exposition
Fragments (2024) Linda H. Lien
Looking for layers, finding fragments.
open exposition
Material for Gifts from the Sentient Forest (2024) Annette Arlander
This page is under construction It contains material created for and in the context of the research project Gifts from the Sentient Forest at the University of Lapland. See https://www.sentientforestproject.com
open exposition

recent publications <>

Embodied Wave (2024) Yegyeong Cha
Thesis of the Royal Academy of Art, The Hague, 2022 BA Interactive Media Design Since the Covid19 pandemic began, we have to wear a mask to protect ourselves. Not being able to see full facial expressions and hear the voice can be crucial to the interaction of speaking a second language. Additionally, with most of our physical routines online, it has become impossible to see the whole body, making it difficult to observe non-verbal messages. This thesis explores the ideas of how we can communicate more efficiently if the current phenomenon continues. How could we communicate when our language delivery is impaired? It argues that communication obstruction caused by the mask worn can be overcome with bodily communication with gestures and eye contact. Gestures as a symbolic action and eye contact as a window by emotionally synchronising brain waves require a deeper level of contextual and emotional exchange. Empathising from a desire to understand and to be understood can break a blockage by connecting together. Furthermore, the thesis suggests what mindset and position we need to take when experiencing difficulties of cultural differences during bodily communication. If we keep the gestures simple and embrace the embodied cultures and co-learn the diversities, we can go beyond language and connect globally.
open exposition
The Dark Summer (2024) Adele.CH
A documentation of decision making process in a reconstructing documentary film.
open exposition
The Art of Impact 2022-2024 (2024) Katarina Eismann
ART OF IMPACT 2022-2024 Expand your imagination to envision alternative futures! Arts universities have the potential to play a pivotal role in challenging times and the students are vital actors, often the voice of change. Nine students are here presenting their thesis, essays and parts of their degree projects! The Master program in Film and Media “The Art of Impact” is focused on how art has an impact on society and how art can change the society we live in. The program is research preparatory and consists of two years of full-time studies at advanced level. Working in different formats and new technology on digital platforms, the students have deepen their understanding of storytelling and its potential impact on their audiences. Community outreach, innovation, as well as global and urban contexts all interconnect, integrating sustainability skills and thinking to boost innovation and creativity in transition initiatives. Storytelling in challenging times. Hello future, here we come! Tinna Joné Head of subject Film & Media Assistant professor in documentary storytelling Stockholm University of the Arts
open exposition

sar announcements <>

Subscribe to SARA