Research Catalogue

An eco-feminist perspective on photography Our vision has untapped, forgotten or perhaps undervalued potentials. These potentials lie within what I would like to coin “the peripheral gaze”. It is at the outskirts and at those distant horizons that I believe great insights lie. It is the gaze of interconnected matter. At the level of matter we are all equal: everyone and everything consists of matter. Looking with a “peripheral gaze” means seeing which materials are co-performing the image and seeing the ecological interconnections.

Exploring the affordances of Larping in virtual reality.

This project tackles the issue of describing, composing, and perceiving vocality in a synthetic context, highlighting an experiential approach to the perception of a vocal signal. The research primarily focuses on the idea of fusions of sounds, particularly fusions between synthetic and natural voice, where the resulting quality enriches a vocal experience through the ambiguities and multiplicities it brings forth. Design choices and aesthetical considerations of a computer program for vocal synthesis are then discussed in relation to my own approaches to vocal composition.

Expositionen är en del av forskningsprojektet "Scenkonstproduktion med reducerad klimatpåverkan".

When gazing at the night sky together with someone, it can be challenging to guide the other person’s attention to a specific star or cluster. To completely follow the alignment of the eyes and the tip of the index finger to the object in mind would require us to climb into the other, to see the world through their eyes. How do we know if we have the same star in mind as the person next to us? Are we talking at cross-purposes? At Cross Purposes, reflections on constellations, comprises three texts by different authors on language, narrative, sign and signification, as well as poetry and anxiety in art.

PLAN TO UNPLAN is the work around the book BOOK OF CHORDS that serves as both artistic result and reflective component on several pieces I wrote between 2019 and 2024. The work touches thoughts about precariousness in music making and musical writing and the differences in chamber musical writing and orchestral writing. In the realms of these pillars there is a strong focus on expressions found in chords. Chords, sung mostly by amateur choirs and found on the internet.