The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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reticule (2025) Hanns Holger Rutz
A new filigrane sound object (or series of objects) in the making, w.i.p.
open exposition
Improv_Loops: Ambient Music as Everyday Practice (2025) Juho Aaro Aapeli Tuomainen
Improvised ambient music making is a multi-dimensional process where the musical and the artistical skills are implemented into a dance between the mind of the performer and the creative use of technology. Both the mind and the machine together create a symbiotic relationship which over a course of a longer improvisational process produces a calming effect on the body and the mind, a sensation which in this artistic research is referred to as ”the slow buzz”. Over an 18-month period from June 2023 to December 2024 I practiced the creation of improvised ambient music by keeping a routine which included mechanical guitar warm ups, a meditation session and a recording session for an improvised ambient music track. This routine laid a solid foundation for my artistic work, generating all in all 360 improvised ambient tracks, which were all listened and analysed along the way. All the know-how and the musical style that emerged from this routine eventually led to the creation of a continuous, flowing form of improvisational live-ambient music. I then rehearsed, filmed, and analysed the resulting ambient music 40 times during the autumn of 2024 in order to gain insight into the mindstates that are affiliated with the creation of improvised ambient music. The final outcome of this artistic research process was then to be presented in the form of a solo concert during the Global Spring Festival, on the 15th of May 2025.
open exposition
Writing Senses (2025) Delphine Chapuis Schmitz
What senses arise from sensing? How does sensing affect the processes of sense-making? How can the density of senses be navigated through writing? This exposition retraces a specific sequence of thinking-in-the-making designed to address such questions in a collective workshop setting, where writing and sensing alternate in an iterative process.
open exposition

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Samtale med jo Gunnar Håkonsen og Tanja Marie Gjerde på Feiring Bruk AS (2025) Sigrid Espelien
Intervju av Jo Gunnar Håkonsen og Tanja Marie Gjerde ansatt på Feiring Bruk AS.
open exposition
Blåleire og brunleire fra Bryn ved Alnaelva (2025) Sigrid Espelien
Denne leira og beholderen representerer blåleire som en del av et elvelandskap med en teglindustrihistorie i prosjektet. Leirelandskapet på Bryn består av tre forskjellige leirelandskap.
open exposition
Brunleire fra Østre Aker vei 25 på Økern, Oslo (2025) Sigrid Espelien
Denne leira og beholderen representerer blåleire som en del av byggeplasser og byggenæringen i prosjektet. Denne lokasjonen er et interessant ikke-sted1 i et trafikknutepunkt på Økern, der det er overraskende å finne leire.
open exposition

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