Research Catalogue

I like to approach my body of work as being one big opera. Every object, wearable object or costume serves the opera. Every spatial costume a backdrop, every sculpture a prop, every wearable object a costume, every costume a character. One day I will make an opera consisting of all my works. Welcome to my world, welcome to my opera

LearningLAB is a new module for the YoungKC department to help enhance meta-learning; helping young musicians learn about learning. This research proposes and describes the design, development and content of the program. It also explores the efficacy of students, teacher teams and management, and the dynamics between each group.

What triggered me to start this research is the multiplicity of reality. How something is represented, how it actually is and then how we all perceive it in our very own way. In that sense reality doesn’t exist, only versions of it. The lack of awareness of this multiplicity affects a lot our lives; what we believe, what we take as granted and how he behave.Through this practice based research I am experimenting on how to create moments of surprise and realization for the spectator. I work with copies and representations, replicas as I like to call them. The Replicas can be made of different materials, can be virtual or very physical. Until now I used scale models, mirrors and projections but the list is endless; so are the different ways to use the replicas or the impact that they will have. The way that the replicas are introduced to the spectator and their interaction is also very crucial in my work and another field to research. The movement and the body play a significant role to this. The special relationship that we have with our body, the way that we perceive it and how the movement can reset these relations and affect how we experience things.

The art of Raoul Servais is concerned with the most serious criticisms of 1968 and looks for the freedom and justice that humans pursue, touch a lot of areas and contexts from religion to science, mythology to science fiction, psychology to culture: authoritarian regimes that eliminate science; armies trying to sweep colors from the world; executives trying to share the body of a dead mermaid; filmmakers trying to be faster than their shadows; bosses who incorporate hippies' colorful ideas into their own benefits; 'super powers' that invite people to religion with theocratic gas bombs. Consumption, technology, authority, unhappiness and lost meaning woven with commodity values.

Pourquoi commander un nouveau Star Wars était-il nécessaire?

Cet article interprète l'adhésion au passé qui le conçoit comme l'idéal et la véritable manière de faire progresser, en gardant les yeux fermés sur le fait que l’évolution culturelle peut rendre ce qui était "sage" même inapproprié ou nuisible. Les études de cas présentent donc une dimension globale de l’époque autoritaire en Turquie, allant jusqu’aux idéologies cachées derrière le voile des sciences. L’idéologie autoritaire en Turquie est une question de droit et d’exception. Le fil qui relie aujourd’hui la Turquie et le monde moderne est l’idéologie capitaliste. Les habitants d’un même “village global” se réveillent et partent de chez eux vers des chemins différents où ils peuvent se retrouver avec des idéologies de négation, remplacées par des sciences confidentielles dans un monde qui croit en l’ouverture et la démocratie, qui est toujours au cœur des pratiques scientifiques.