Research Catalogue

Sketchbook of 53 A3 drawings with coloured markers, including 4 A3 collages with newspaper cutouts and printed photos. Sketchbook cover with red nail polish. 22 A4 drawings with ballpoint pen. Preparatory work, 2023-2024.

Islington studio flat 4, at 14 Barnsbury Road, London, 2022. Interior design as an art installation. Looted, 2024. My personal belongings were still at the property for two months, after I left on 27 March 2024 and was asked to collect them by 3 or 4 April 2024 from Woolwich. 14 Barnsbury Road was deemed illegal through the courts, shortly afterwards. The maintenance employed many Polish citizens, all dressed in black with black caps, like all XRW supporters dress. Twenty-one (21) digital photographs for twenty-one (21) missing Albanian non-EU immigrants. https://en.wikipedia.org/wiki/Looting https://en.wikipedia.org/wiki/Loot_(magazine)

Atelier Nomade is a research seminar around the practical use of lithography outside of the printmaking workshop.

ART OF IMPACT 2022-2024 Expand your imagination to envision alternative futures! Arts universities have the potential to play a pivotal role in challenging times and the students are vital actors, often the voice of change. Nine students are here presenting their thesis, essays and parts of their degree projects! The Master program in Film and Media “The Art of Impact” is focused on how art has an impact on society and how art can change the society we live in. The program is research preparatory and consists of two years of full-time studies at advanced level. Working in different formats and new technology on digital platforms, the students have deepen their understanding of storytelling and its potential impact on their audiences. Community outreach, innovation, as well as global and urban contexts all interconnect, integrating sustainability skills and thinking to boost innovation and creativity in transition initiatives. Storytelling in challenging times. Hello future, here we come! Tinna Joné Head of subject Film & Media Assistant professor in documentary storytelling Stockholm University of the Arts

A master's thesis that aims to see how 2D animation can visualize hallucinations in VR, while examining the greyzone between technology and spirituality in the animation process. The animations are made for the VR documentary film: Urban Witches, by Nicia Fernandez.

(Eng) During the isolation in Mexico due to the pandemic, two groups of people fought their own ideals to prevent the disease: those who believed in scientific research, and those who followed shamans wisdom, the indigenous witches. Contrary to what people might believe, there are still a lot of beliefs in ancestry medicine in urban areas. During 2020 I have filmed clips of beliefs and traditions in different parts of Chihuahua, Mexico. I continued the research in Sweden and displayed the process at Tales Festival with sounds, objects and the film in VR. The name of the project: URBAN WITCHES. I aim to continue the research on ancestral connectivity from a scientific point of view. _________________________________________________ (Esp) Durante el aislamiento de la pandemia, dos grupos de personas defendieron diferentes posturas para prevenir la enfermedad: los de ciencia y los que siguen el chamanismo de los nativos indigenas, del cual mucha gente del area urbana aun practica. Durante el 2020 filmé un poco de sus creencias y tradiciones en el Estado de Chihuahua. Continué la investigación en Suecia y mostré el proceso con una instalación de arte la pelicula en VR, sonidos y objetos en el Festival de Tales. El nombre del proyecto: URBAN WITCHES. Mi objetivo es continuar investigando la conectividad ancestral desde el punto de vista científico.