The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities
Something
(2025)
E.Reynolds
“Something” still taking from a vignette, with a running time 05:04. A reading by a reader, accompanied by a moving image vignette, features a page-turner, recorded by the recorder. 2022.
The introduction to Elle Reynolds' PhD 2024.
Capture images through the screen
(2025)
Nicholas Mazzilli
In this exposition I invite you to reflect on a part of my artistic research: the screen capture.
The aim is to reconsider this little-explored practice by artistically transforming original images through a double variations in post-production.
In this artistic research I also use experimental software and unconventional methods to carry out images from videogames.
At the same time these methods engage with the European regulations about copyright and American fair use policies. While the extraction of images from three-dimensional, copyright-protected spaces is often restricted, it can sometimes be permitted when used creatively.
recent publications
Calling Songs
(2025)
Johannes Westendorp
Calling Songs is a research into the possibilities of using the sounds created by insect and frog choirs in a musical composition/soundscape.
An 8-channel speaker system was developed for this purpose, able to stand outside conditions and fitting into a natural environment.
The voices of crickets and frogs have characteristics that make them sound almost electronic and therefore blend surprisingly well with the sounds that the muiscians of Zwerm can produce using effectpedals, loop-feedback, modular synthesizers and occasionally a guitar.
The listener is invited to question the idea of culture versus nature. For the performers, the central question is how to give non-human life a voice in our artistic practice.
Calling Songs is a collaboration between Johannes Westendorp, Zwerm and Pieter Verhees
The Sonic Atelier #4 – A Conversation with Iosonouncane
(2025)
Francesca Guccione
This exposition is part of the series The Sonic Atelier – Conversations with Contemporary Composers and Producers, dedicated to exploring the evolving role of the composer in the twenty-first century. Through a Q&A format, the project investigates how contemporary creators inhabit hybrid identities at the intersection of composition, production, performance, and technology.
This interview features Iosonouncane (Jacopo Incani), who reflects on the influences that shaped his formation, the balance between composition, production, and mixing, and the challenges of navigating today’s algorithm-driven music industry. He also discusses his approach to film scoring, the role of spatialization as a compositional parameter, and his views on new technologies such as artificial intelligence and immersive formats. His insights highlight the tensions between experimentation and market logic, as well as the need to preserve complexity and diversity as essential values in contemporary music-making.
Kroppslig läsning
(2025)
Aleksandra Czarnecki Plaude
Projektet avser att lyfta fram betydelsen av skådespelarens kroppsliga kunskap i förhållande till repetitionsarbete. Som regissör och pedagog och i samarbete med professionella skådespelare ville jag fånga och kommunicera mina arbetsmetoder. Detta med förhoppning om att generera ny kunskap i frågan om skådespelarens fördjupade gestaltningsarbete av dramatisk text med och via kroppen som instrument.
Kroppen är skådespelarens instrument. Jag ser kroppen som ett kärl, en källa att hämta från och ösa ur. Ett instrument som har förmågan förbinda de analytiska tankegångarna med det undermedvetna, med instinkterna och det öppna hjärtat. Min ursprungliga forskningsfråga för detta projekt var att undersöka det glapp som uppstår mellan kroppsliga impulser i ett undersökande led i arbete/improvisation och när det ska överbryggas till en ”färdig” gestaltning av ett dramatiskt verk. Denna frågeställning tog mig vidare till att undersöka en repetitionsteknik som skulle öppna möjlighet för skådespelarna till att öppna sig för och omfamna sin kroppsliga kunskap och kreativitet. Utan att bortcensurera sina uttryck genom textanalys och det logiska tänkandet. Möta en text på kroppsliga villkor. Jag kallar det för ”kroppslig läsning”.