The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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Een artistiek onderzoek naar de creatieve capaciteiten van mijn team vanuit procesgerichte didactiek (2024) Isa Bruijnen
Een artistiek onderzoek naar de creativiteit van mijn team vanuit procesgerichte didactiek
open exposition
Performing Musical Silence (2024) Guy Livingston
This dissertation considers performed silences in composed music and suggests that musicians often use markers to communicate the dimensions of silence. These markers may shape, summon, or impose silence. Markers are signals or cues that may be visible, audible, or multimodal. This research consists of an archive of examples from the author's pianistic practice, as well as three case studies drawn from works of Beethoven, Cage, and Antheil. Full title: "Performing Musical Silence: Markers, Gestures, and Embodiments"
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Artistic works Ellen Ugelvik et al., pianist (2024) Ellen Kristine Ugelvik
15 documented artistic works performed by Ellen Ugelvik et al. (solo/chamber/sinfonietta/orchestra)
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Coalesce [coalesce_unpublished - 2024-11-01 09:33] (2024) Laura Adel
Interactive environment based on Kinect Azure sensor where the participant draws shapes of his body. When the time passes, the frozen still images of their movemnt go higer.
open exposition
Coalesce (2024) Laura Adel
Interactive environment based on Kinect Azure sensor where the participant draws shapes of his body. When the time passes, the frozen still images of their movemnt go higer.
open exposition
The Tacit Knowledge of Claudio Monteverdi (2024) Johannes Boer
Dissertation Leiden University 2024 Johannes Boer Registration and the annotated libretto of the 2018 opera production LA TRAGEDIA DI CLAUDIO M Contextualisation of this opera in both historical as well as epistemological sense.
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