The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

recent activities <>

Hljómkassar / Inorganic Resonators (2025) Jón Helgi Hólmgeirsson
Hljómkassar is a project focused on developing and building innovative, directional acoustic speakers from Icelandic materials. Inorganic Resonators were nominated for Product of the year at the Icelandic Design Awards 2024.
open exposition
Painting as satire (2025) John Hogan
Satire is conceptualised as culturally charge, holding potentially powerful effects and impact. satire as painting provokes critical reflection on authorities, tackles values, dogmas, and taboos, disturbs power relations, and plays with cultural forms and identities. Bad news is seemingly everywhere, the is the place were satire exists. my practice utilises the codes of satire: analogy, parody, subversion, and irony, and realised through graphic elements; signs symbols, and icons, to apportion strength of meaning in my work through the lens of critique and entertainment.
open exposition
Pondering with Pines - Miettii Mäntyjen Kanssa - Funderar med Furor (2025) Annette Arlander
This exposition documents my explorations of pondering with pine trees. Tämä ekspositio dokumentoi yritykseni miettiä mäntyjen kanssa. Den här ekspositionen dokumenterar mina försök att fundera med furor.
open exposition

recent publications <>

Craftmanship - blog (2025) Kjell Tore Innervik
Blog presenting news and updates from the project 'Craftmanship', by Kjell Tore Innervik and Håkon Høgemo
open exposition
JSS TOCs (2025) Journal of Sonic Studies
Table of contents JSS issues
open exposition
Editorial: Sounding the Contradictions in and of the (Post-)Soviet Realm (2025) Vadim Keylin
Editorial: Sounding the Contradictions in and of the (Post-)Soviet Realm
open exposition

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