Research Catalogue

Cartilla que presenta buenas prácticas sobre danza inclusiva y accesible. Realizada por ConCuerpos Parte del Proyecto Danza para la Diversidad 2023. Apoyado por la Beca para el reconocimiento y la activación del patrimonio cultural de Sectores Sociales del Instituto Distrital de Patrimonio Cultural

Case study of Drugo More in relation towards the practice of Fatos Ustek and Bek Berger

Situated in the vast space between rigidly notated music and the realm of open improvisation, this research—embodied through a large ensemble for which I have written and conducted music—navigates the intersection of these two worlds in search of a sweet spot between fixed composition and creative spontaneity. Rather than treating the score as a static framework, the composition is approached as a living, evolving entity, where performers, conductor, and technology collaboratively shape the music in real-time. Throughout rehearsals and performances, musicians make interpretive choices, respond to cues from the conductor and their peers, and engage with interactive electronic elements, fostering an ongoing, dynamic dialogue. This process illuminates how variables such as individual interpretation, conductor influence, and rehearsal time can open new avenues for expression, allowing the written score to transcend its traditional boundaries. By embracing this fluidity and exchange, embodied through the term Comprovisation, the composition is continuously transformed, deepening the connection between musicians and the work, and unlocking new possibilities for artistic expression. Through some of my musical pieces as examples we will analyze how this experimental creative process was shaped.

Med utgangspunkt i kunstneriske framstillinger av Arkadiamotivet, og med pastoralen som optikk, vil dette prosjektet utforske «utopiske» forestillinger om fortiden, gjennom arbeid i ulike kunstneriske uttrykksformer, i tekstil, skulptur og tekst.

This research project gathers a series of interviews with some of the closest collaborators of Icelandic composer Jóhann Jóhannsson (1969–2018). Conducted between 2022 and 2025, the conversations preserve first-hand testimonies of his creative process, collaborative methods, and unique sonic universe. Through the voices of Echo Collective (Neil Leiter & Margaret Hermant), Francesco Donadello, Viktor Orri Árnason, and Yair Elazar Glotman, the project explores themes such as orchestration, sound experimentation, electroacoustic practices, and the integration of music with film. The interviews have been edited and adapted from their original form in order to ensure clarity and contextual coherence, while remaining faithful to the collaborators’ perspectives. Taken together, these accounts shed light on Jóhannsson’s aesthetics and working philosophy, offering a multifaceted portrait of a composer whose legacy continues to influence contemporary music.

After a long-term effort with “the body as an instrument” with the spotlight and focus on acting I was interested in exploring how my experience and practical knowledge of the actors physical skills could be “borrowed” and “translated” in encounters with several artistic disciplines both within and outside the stage area. The body is present in all artistic activity that in some way relates to the story of man. But the thought of the body isn't necessarily the same as a bodily and embodied thought. This nuanced and problematized approach has resulted in the research project Bodily Observations - on the lookout for new physical skills that I conducted in 2013-2015.