The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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Unburying, from Liminals, Emerging: into the microtonal prepared piano (2024) matt A choboter
My research stems from the curiosity of moving beyond the fixed pitches of western tuning and into a sound continuum of extended sound possibilities. I ask questions like: can an acoustic grand piano be completely sonically-reimagined? why should western ears continue to be so accustomed to only one tuning system? In contrast, can “pure sounds” meet ethnically diverse microtonal tuning constellations? Can a newly invented tuning system dialogue with magnetic preparations to evoke timbral effects from Balinese Gamelan or Indian classical music? Collectively, how can this new instrument merge with spatialization and electronics to create embodied experiences for audiences? And how can all these elements be harnessed within a liminal psychological narrative?
open exposition
SAO VITOR II (2024) Antonio Freitas, Beatriz Domingues, Camila Silva, Maria da Conceição Magalhães Barbosa, Tiago Daniel Quintas Correia, Sara Maria Veloso Mesquita
Modo de trabalhar no projeto coletivo na plataforma RC: Autor do projeto de grupo é o António, todos os outros são co-autores.
open exposition
DUQUE DE SALDANHA (2024) Luís Bouça, Telma Luísa da Silva Carreira, Duarte Sousa, Maria Guedes, Carolina Andrade, António Leite
Esta Exposition é o espaço coletivo do grupo de Duque de Saldanha no segundo semestre.
open exposition

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Virtual Hallucinations (2024) Emma Richey
A master's thesis that aims to see how 2D animation can visualize hallucinations in VR, while examining the greyzone between technology and spirituality in the animation process. The animations are made for the VR documentary film: Urban Witches, by Nicia Fernandez.
open exposition
Urban witches (2024) Nitzibon
(Eng) During the isolation in Mexico due to the pandemic, two groups of people fought their own ideals to prevent the disease: those who believed in scientific research, and those who followed shamans wisdom, the indigenous witches. Contrary to what people might believe, there are still a lot of beliefs in ancestry medicine in urban areas. During 2020 I have filmed clips of beliefs and traditions in different parts of Chihuahua, Mexico. I continued the research in Sweden and displayed the process at Tales Festival with sounds, objects and the film in VR. The name of the project: URBAN WITCHES. I aim to continue the research on ancestral connectivity from a scientific point of view. _________________________________________________ (Esp) Durante el aislamiento de la pandemia, dos grupos de personas defendieron diferentes posturas para prevenir la enfermedad: los de ciencia y los que siguen el chamanismo de los nativos indigenas, del cual mucha gente del area urbana aun practica. Durante el 2020 filmé un poco de sus creencias y tradiciones en el Estado de Chihuahua. Continué la investigación en Suecia y mostré el proceso con una instalación de arte la pelicula en VR, sonidos y objetos en el Festival de Tales. El nombre del proyecto: URBAN WITCHES. Mi objetivo es continuar investigando la conectividad ancestral desde el punto de vista científico.
open exposition
The process (2024) Johanna Schubert
Materials, Chaos, and Desire in the Midst of Subconsciousness
open exposition

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