Research Catalogue

Satire is conceptualised as culturally charge, holding potentially powerful effects and impact. satire as painting provokes critical reflection on authorities, tackles values, dogmas, and taboos, disturbs power relations, and plays with cultural forms and identities. Bad news is seemingly everywhere, the is the place were satire exists. my practice utilises the codes of satire: analogy, parody, subversion, and irony, and realised through graphic elements; signs symbols, and icons, to apportion strength of meaning in my work through the lens of critique and entertainment.

This exposition documents my explorations of pondering with pine trees. Tämä ekspositio dokumentoi yritykseni miettiä mäntyjen kanssa. Den här ekspositionen dokumenterar mina försök att fundera med furor.

Solo exhibition during DesignMarch 2024, Iceland's design week, presenting research into the history of anti-capitalist graphic design from Freetown Christiania (Copenhagen, Denmark). The installation consisted of twenty poster designs & a participatory area where guests could create their own contributions.

Turkish Female director Tomris Giritlioğlu was one of the first in Turkish cinema to touch upon the long-forgotten and pathological consequences of the Turkification efforts in Turkey since forever. In Salkım Hanımın Taneleri / Mrs. Salkım's Diamonds, she (re)creates the recent and pessimistic past of the one-party Turkey of 1943 Wealth Tax, trying to overthrow the official discourse of the chaotic institutionalization and nationalization times in Turkey. In Güz Sancısı / Pains of Autumn (2009), she formed a part of the identity carnival of 6-7 September 1955 Events/Pogrom. In these two films, Tomris Giritlioğlu offers a series of interesting contexts to examine the Turkish government’s national stance and the identity formation in two decades from the 1943 Wealth Tax and to the 6-7 September 1955 Events/Pogrom.

Intervju av Jo Gunnar Håkonsen og Tanja Marie Gjerde ansatt på Feiring Bruk AS.

Denne leira og beholderen representerer blåleire som en del av et elvelandskap med en teglindustrihistorie i prosjektet. Leirelandskapet på Bryn består av tre forskjellige leirelandskap.